Utwory na płycie:

• Mario Castelnuovo-Tedesco: Platero & I, Op. 190 (Narrated in English) - No. 1, Platero
• Mario Castelnuovo-Tedesco: Platero & I, Op. 190 (Narrated in English) - No. 24, Wayside Flower
• Mario Castelnuovo-Tedesco: Platero & I, Op. 190 (Narrated in English) - No. 20, November Idyll
• Mario Castelnuovo-Tedesco: Platero & I, Op. 190 (Narrated in English) - No. 22, Convalescence
• Mario Castelnuovo-Tedesco: Platero & I, Op. 190 (Narrated in English) - No. 23, Swallows
• Mario Castelnuovo-Tedesco: Platero & I, Op. 190 (Narrated in English) - No. 4, Spring
• Mario Castelnuovo-Tedesco: Platero & I, Op. 190 (Narrated in English) - No. 21, Death
• Mario Castelnuovo-Tedesco: Platero & I, Op. 190 (Narrated in English) - No. 7, Melancholy
• Mario Castelnuovo-Tedesco: Platero & I, Op. 190 (Narrated in English) - No. 14, Nostalgia
• Mario Castelnuovo-Tedesco: Platero & I, Op. 190 (Narrated in English) - No. 28, Platero in Heaven
• Mario Castelnuovo-Tedesco: Platero & I, Op. 190 (Narrated in English) - No. 8, Friendship
• Mario Castelnuovo-Tedesco: Platero & I, Op. 190 (Narrated in English) - No. 16, April Idyll
• Mario Castelnuovo-Tedesco: Platero & I, Op. 190 (Narrated in English) - No. 3, Return
• Mario Castelnuovo-Tedesco: Platero & I, Op. 190 (Narrated in English) - No. 13, The Consumptive Girl
• Mario Castelnuovo-Tedesco: Platero & I, Op. 190 (Narrated in English) - No. 27, Carnival
• Mario Castelnuovo-Tedesco: Platero & I, Op. 190 (Narrated in English) - No. 18, Lullaby Singer
• Mario Castelnuovo-Tedesco: Platero & I, Op. 190 (Narrated in English) - No. 9, The Moon
• Mario Castelnuovo-Tedesco: Platero & I, Op. 190 (Narrated in English) - No. 25, Sunday

Juan Ramón Jiménez's meditative reflections on the peregrinations of an Andalusian countryman and his loyal little donkey, Platero, have long captured the Spanish imagination. The 138 prose poems that make up Platero Y Yo (Platero and I) were published in 1914. In June 1960 Mario Castenuo-Tedesco began to work on guitar accompaniments to 28 of the poems from Jiménez's Platero Y Yo. They are best described as musical commentaries, reinforcing and complementing Jiménez's prose, and matching the changing moods.