bissacd1546 

Wydawnictwo: Bis
Nr katalogowy: BISSACD 1546
Nośnik: 1 SACD
Data wydania: czerwiec 2009
EAN: 7318599915463
Dostępność: na zamówienie

54,00 zł
Zamów BISSACD 1546
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Nasze kategorie wyszukiwania

Epoka muzyczna: barok
Obszar (język): włoski, niemiecki
Rodzaj: stabat mater, sonata

SACDHybrydowy format płyty umożliwia odtwarzanie w napędach CD!

Zobacz także:

  • CHSA 5175
  • ARS 38226
  • CC 72700
  • BISSACD 2248
  • BISSACD 2235
  • ARS 38207

Vivaldi / Pergolesi / Bach: Stabat Mater

Bis - BISSACD 1546
Kompozytor
Antonio Vivaldi (1678-1742)
Giovanni Battista Pergolesi (1710-1736)
Johann Sebastian Bach (1685-1750)
Antonio Vivaldi; Giovanni Battista Pergolesi; Johann Sebastian Bach
Wykonawcy
Daniel Taylor, counter-tenor
Emma Kirkby, soprano
Theatre of Early Music
Nagrody i rekomendacje
 
Diapason 5 Gramophone Editor's Choice Music Island CD of the Month SA-CD.net 5 Stars
 
Utwory na płycie:
Vivaldi:
Sonata ‘al Santo Sepolcro’ in E flat major, RV130
Stabat Mater, RV621

Pergolesi:
Salve Regina

Bach:
Tilge, Höchster, meine Sünden (Psalm 51), BWV1083 (Transcription of Stabat Mater by Pergolesi)
With a disc entitled Stabat Mater and featuring Pergolesi among the composers, it would be natural to expect his setting (surely the most famous of all) of this heartfelt meditation on the grief of the Virgin Mary to be included in the programme. Well, it isn’t – and it is! Only a few years after Pergolesi in 1736 had composed his Stabat Mater, Bach made an adaptation of it using a contemporary German version of the biblical Psalm 51. To suit the requirements of the new text Bach made certain alterations to Pergolesi’s vocal parts, but retained the scheme of solo arias and duets between a soprano and an alto voice. He also added a new, independent viola part to the score and rewrote the basso continuo, giving the work a new harmonic vitality. It’s not only in the form of an arrangement that Pergolesi appears on this disc, however: Psalm 51 is preceded by his own Salve Regina, composed around the same time as the Stabat Mater, and of a similarly expressive, sorrowful character even though the text in question is a hymn of praise to the Virgin Mary. Of Pergolesi’s two settings of the text, the present one – originally in C minor – is the most well-known, and is here performed in the F minor version for alto voice. Opening the disc is Vivaldi’s brief Sonata al Santo Sepolcro (‘at the Holy Grave’), an instrumental work probably intended for inclusion in an Easter church service. This is followed by – finally! – a Stabat Mater proper, also by Vivaldi and probably dating from 1711 or 1712. Vivaldi used just the first ten verses of the text, creating one of the most sombre of all settings, here performed by the Canadian ensemble Theatre of Early Music and its director, counter-tenor Daniel Taylor, who in Bach is joined by Emma Kirkby, taking on the soprano part.