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Wydawnictwo: Bis
Nr katalogowy: BISSACD 1978
Nośnik: 1 SACD
Data wydania: grudzień 2013
EAN: 7318599919782
na zamówienie
Nasze kategorie wyszukiwania

Epoka muzyczna: klasycyzm
Obszar (język): niemiecki
Instrumenty: fortepian
Rodzaj: koncert

SACDHybrydowy format płyty umożliwia odtwarzanie w napędach CD!

Mozart / Beethoven: Sudbin plays Beethoven & Mozart Concertos

Bis - BISSACD 1978
Yevgeny Sudbin, piano
Minnesota Orchestra / Osmo Vanska
Nagrody i rekomendacje
ArkivMusic Best of ICMA Award Nomination Fanfare Recommendation MusicWeb Recording of the Month Limelight klassik heute 10 Classic FM Editor's Choice Pizzicato 5 Music Island Recommends SA-CD.net 5 Stars
Wolfgang Amadeus Mozart:
Piano Concerto No.24 in C minor, K 491
Ludwig van Beethoven:
Piano Concerto No.3 in C minor, Op.37
In 2010 Yevgeny Sudbin released the first instalment in a cycle of Beethoven's piano concertos. Featuring the Fourth and the Fifth concerto the disc received top marks on web sites such as ClassicsToday.com and klassik-heute.de and was selected CD of the Week in Daily Telegraph and Editor's Choice in Gramophone, whose reviewer wrote 'The mother-of-pearl sheen of [Sudbin's] pianism is backed by a special underlying sensitivity...Delectably light-fingered brilliance and virtuosity shines a new light on some of the most familiar scores in the repertoire...' Other reviewers agreed that there was something very special about these interpretations ('Extraordinarily vibrant and unforced', Piano News) and, not least, about Sudbin's partnership with Osmo Vänskä and the Minnesota Orchestra ('There is a true give-and-take between soloist and orchestra throughout these performances that makes them especially engaging', Listen Magazine). The web site Classical CD Review found Sudbin and Vänskä to be 'ideally matched Beethoven interpreters,' and the French reviewer in Classica agreed, detecting a 'Mozartian flame' in the performances. For this sequel Sudbin and Vänskä go one step further and actually include a Mozart concerto to precede Beethoven’s Concerto No.3 in C minor. Also in C minor, Mozart’s Concerto No.24, K 491, is often regarded as having been the inspiration for Beethoven’s work. The mood of K 491 is dramatic, even Romantic – the concerto was memorably described by the Mozart expert Alfred Einstein as an ‘explosion of passion, of dark tragic emotions’ – reflecting its proximity to The Marriage of Figaro, which was composed at the same time. Among Mozart’s concertos it is one of the most ample, both in terms of scoring and duration, and thus provides an ideal counterweight to Beethoven’s Third, which the composers began to sketch in 1796, but only completed eight years later.

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