Wydawnictwo: Chandos
Nr katalogowy: CHAN 10888(3)
Nośnik: 3 CD
Data wydania: luty 2016
EAN: 95115188828
Nr katalogowy: CHAN 10888(3)
Nośnik: 3 CD
Data wydania: luty 2016
EAN: 95115188828
Beethoven: Complete Sonatas for Piano and Violin
Chandos - CHAN 10888(3)
Kompozytor
Ludwig van Beethoven (1770-1827)
Ludwig van Beethoven (1770-1827)
Utwory na płycie:
- Sonata- Op 12 No 1 (1797-98) - Allegro con brio
- Sonata- Op 12 No 1 (1797-98) - Andante con moto -
- Sonata- Op 12 No 1 (1797-98) - Variazione I -
- Sonata- Op 12 No 1 (1797-98) - Variazione II -
- Sonata- Op 12 No 1 (1797-98) - Variazione III Minore -
- Sonata- Op 12 No 1 (1797-98) - Variazione IV Maggiore
- Sonata- Op 12 No 1 (1797-98) - Rondo Allegro
- Sonata- Op 30 No 2 (1801-02) - Allegro con brio
- Sonata- Op 30 No 2 (1801-02) - Adagio cantabile
- Sonata- Op 30 No 2 (1801-02) - Scherzo Allegro (La prima parte senza repetizione) -
- Sonata- Op 30 No 2 (1801-02) - Finale Allegro - Presto
- Sonata- Op 96 (1812) - Allegro moderato
- Sonata- Op 96 (1812) - Adagio espressivo -
- Sonata- Op 96 (1812) - Scherzo Allegro - Trio - Scherzo - Coda
- Sonata- Op 96 (1812) - Poco Allegretto - Adagio espressivo - Tempo I - Allegro -
- Sonata- Op 12 No 2 (1797-98) - Allegro vivace
- Sonata- Op 12 No 2 (1797-98) - Andante più tosto Allegretto
- Sonata- Op 12 No 2 (1797-98) - Allegro piacévole
- Sonata- Op 23 (1800) - Presto
- Sonata- Op 23 (1800) - Andante scherzoso più Allegretto
- Sonata- Op 23 (1800) - Allegro molto - Adagio - Tempo I
- Sonata- Op 24 Spring (1800-01) - Allegro
- Sonata- Op 24 Spring (1800-01) - Adagio molto espressivo
- Sonata- Op 24 Spring (1800-01) - Scherzo Allegro molto (la prima parte senza
- Sonata- Op 24 Spring (1800-01) - Rondo Allegro ma non troppo
- Sonata- Op 30 No 3 (1801-02) - Allegro assai
- Sonata- Op 30 No 3 (1801-02) - Tempo di Menuetto- ma molto moderato e grazioso
- Sonata- Op 30 No 3 (1801-02) - Allegro vivace
- Sonata- Op 30 No 1 (1801-02) - Allegro
- Sonata- Op 30 No 1 (1801-02) - Adagio molto espressivo
- Sonata- Op 30 No 1 (1801-02) - [Tema] -
- Sonata- Op 30 No 1 (1801-02) - Variazione I -
- Sonata- Op 30 No 1 (1801-02) - Variazione II -
- Sonata- Op 30 No 1 (1801-02) - Variazione III -
- Sonata- Op 30 No 1 (1801-02) - Variazione IV -
- Sonata- Op 30 No 1 (1801-02) - Variazione V [ ] - Adagio - Tempo I -
- Sonata- Op 30 No 1 (1801-02) - Variazione VI Allegro- ma non tanto
- Sonata- Op 12 No 3 (1797-98) - Allegro con spirito
- Sonata- Op 12 No 3 (1797-98) - Adagio con molta espressione
- Sonata- Op 12 No 3 (1797-98) - Rondo Allegro molto
- Sonata- Op 47 Kreutzer-Sonate (1802-03) - Adagio sostenuto - Presto - Adagio - Tempo I [Presto] -
- Sonata- Op 47 Kreutzer-Sonate (1802-03) - [Tema] -
- Sonata- Op 47 Kreutzer-Sonate (1802-03) - Variazione I -
- Sonata- Op 47 Kreutzer-Sonate (1802-03) - Variazione II -
- Sonata- Op 47 Kreutzer-Sonate (1802-03) - Variazione III Minore -
- Sonata- Op 47 Kreutzer-Sonate (1802-03) - Variazione IV Maggiore - Molto Adagio - Tempo I
- Sonata- Op 47 Kreutzer-Sonate (1802-03) - Presto - Adagio - Tempo I - Adagio - Tempo I
Sonatas, Op. 12 Nos 1 – 3
Sonata, Op. 23
Sonata, Op. 24 ‘Spring’
Sonatas, Op. 30 Nos 1 – 3
Sonata, Op. 47 ‘Kreutzer’
Sonata, Op. 96
Sonata, Op. 23
Sonata, Op. 24 ‘Spring’
Sonatas, Op. 30 Nos 1 – 3
Sonata, Op. 47 ‘Kreutzer’
Sonata, Op. 96
After a ‘sublime’ (BBC Music) complete set of Schubert’s violin sonatas with Piers Lane [CHAN 10850(2)], Tasmin Little joins Martin Roscoe in this recording of the complete violin sonatas by Beethoven. In all, Beethoven wrote ten sonatas for piano and violin, and seems not to have entertained ideas for other works in this genre. All but one may be regarded as early works: only Op. 96, in G major, which was composed almost a decade after the last of the other nine, does not fall into this category. As a group, then, the violin sonatas do not offer a conspectus of Beethoven’s stylistic development such as we find in the string quartets, piano sonatas, symphonies, and even cello sonatas. But each work is a masterpiece in its own right, original, full of vitality, idiomatic for both the pianist and violinist who are equal-ranking participants in the ensemble, and executed with consummate compositional skill.