Wydawnictwo: Chandos
Nr katalogowy: CHAN 10928
Nośnik: 1 CD
Data wydania: listopad 2016
EAN: 95115192825
Nr katalogowy: CHAN 10928
Nośnik: 1 CD
Data wydania: listopad 2016
EAN: 95115192825
Nasze kategorie wyszukiwania
Epoka muzyczna: 20 wiek do 1960, współczesna
Instrumenty: gitara
Rodzaj: kwartet
Epoka muzyczna: 20 wiek do 1960, współczesna
Instrumenty: gitara
Rodzaj: kwartet
Aspect: Aquarelle Guitar Quartet
Chandos - CHAN 10928
Wykonawcy
Aquarelle Guitar Quartet
Aquarelle Guitar Quartet
Utwory na płycie:
Andrew York (b. 1958):
Quiccan
Gioachino Rossini (1792-1868):
Overture to L’italiana in Algeri (arr. Richard. Safhill)
Dalwyn Henshall (b. 1957):
Welsh Dance No. 2 (arr.Michael Baker) [premiere recording]
Alberto Ginastera (1916-1983):
Danzas Argentinas (arr. Joao Luiz Rezende Lopes)
Carlos Rafael Rivera (b. 1970):
Cumba-Quín
David Pritchard (b. 1949):
Stairs
Phillip Houghton (b. 1954):
Opals
Mikael Marin (b. 1965), Punch Brothers (est. 2006):
Flippen (The Flip) Soon or Never (arr. Michael Baker) [premiere recording]
John Brunning (b. 1954):
Elegy for Four Guitars
Quiccan
Gioachino Rossini (1792-1868):
Overture to L’italiana in Algeri (arr. Richard. Safhill)
Dalwyn Henshall (b. 1957):
Welsh Dance No. 2 (arr.Michael Baker) [premiere recording]
Alberto Ginastera (1916-1983):
Danzas Argentinas (arr. Joao Luiz Rezende Lopes)
Carlos Rafael Rivera (b. 1970):
Cumba-Quín
David Pritchard (b. 1949):
Stairs
Phillip Houghton (b. 1954):
Opals
Mikael Marin (b. 1965), Punch Brothers (est. 2006):
Flippen (The Flip) Soon or Never (arr. Michael Baker) [premiere recording]
John Brunning (b. 1954):
Elegy for Four Guitars
‘Aspects’ portrays the Aquarelle Guitar Quartet’s love of musical diversity. It is a collection of music that observes a startling variety of perspective and which reflects the group’s ability to craft an emotive and diverse musical tapestry. The album includes original works for four guitars, arrangements that have been made by members of the group, and even a new work written especially for this project. ‘Aspects’ is both retrospective and prospective: it includes favourites which the Quartet has been performing for many years and also pieces which it has learnt specifically for this recording and which will form the basis of new concert programmes in the future.