Wydawnictwo: Christophorus
Seria: Entree
Nr katalogowy: CHE 01922
Nośnik: 1 CD
Data wydania: luty 2014
EAN: 4010072019226
Seria: Entree
Nr katalogowy: CHE 01922
Nośnik: 1 CD
Data wydania: luty 2014
EAN: 4010072019226
Lassus: Motets
Christophorus - CHE 01922
Kompozytor
Orlando di Lasso (1532-1594)
Orlando di Lasso (1532-1594)
Wykonawcy
Concerto Palatino:
Bruce Dickey, cornetto
Harry Ries, alto sackbut
Charles Toet, tenor sackbut
Wim Becu, bass sackbut
Currende - Vocal Ensemble:
Katelijne Van Laethem, soprano
Jan Caals, tenor
Marius Van Altena, tenor
Josep Cabré, bass
Instrumental Ensemble:
Bart Coen, recorders
Philippe Pierlot, alto & bass viol
Piet Stryckers, tenor & bass viol
Kaori Uemura, bass viol & violone
Herman Stinders, organ
Erik van Nevel
Concerto Palatino:
Bruce Dickey, cornetto
Harry Ries, alto sackbut
Charles Toet, tenor sackbut
Wim Becu, bass sackbut
Currende - Vocal Ensemble:
Katelijne Van Laethem, soprano
Jan Caals, tenor
Marius Van Altena, tenor
Josep Cabré, bass
Instrumental Ensemble:
Bart Coen, recorders
Philippe Pierlot, alto & bass viol
Piet Stryckers, tenor & bass viol
Kaori Uemura, bass viol & violone
Herman Stinders, organ
Erik van Nevel
Utwory na płycie:
- Gaudent in coelis, motet for 4 voices, M. ix (S. i/155)
- Exurgat Deus, motet for 4 voices, M. xix (S. iii/1)
- Salve Regina, motet for 6 voices, M. xix
- Pauper sum ego, motet for 4 voices, M. ix (S. iii/79)
- Domine clamavi, motet for 5 voices, M. ix (S. ix/140)
- Confitemini Domino, motet for 6 voices, M. ix (S. xvii/79)
- Ante me non est formatus Deus, motet for 6 voices, M. ix (S. xi/131)
- Pater noster, motet for 4 voices, M. ix (S. i/104)
- Misericordias Domini, motet for 5 voices, M. ix (S. ix/9)
- Nos qui sumus in hoc mundo, motet for 4 voices, M. ix (S. i/139)
- In Deo salutarem meum, motet for 6 voices, M. ix (S. xvii/140)
- O glorioso domina, motet for 6 voices, M. ix (S. xiii/145)
- Quis mihi det lacrimis, motet for 5 voices, M. ix (S. v/44)
- Pulvis et umbra sumus, motet for 4 voices, M. ii (S. ix/30)
- Regnum mundi, motet for 6 voices, M. ix (S. xiii/170)
- Oculi omnium, motet for 5 voices, M. ix (S. vii/122)
- Media vita in morte sumus, motet for 6 voices, M. ix (S. xiii/90)
- Exaudi Domine vocem meam, motet for 5 voices, M. ii (S. vii/158)
- Agimus tibi gratias, motet for 6 voices, M. ix (S. xiii/103)
1 Gaudent in coelis 2:53
2 Exsurgat deus 6:14
3 Salve regina 7:17
4 Pauper sum ego 1:52
5 Domine, clamavi ad te 8:09
6 Confitemini domino 4:08
7 Ante me 1:54
8 Pater noster 3:29
9 Misericordias domini 2:23
10 Nos qui sumus in hoc mundo 2:04
11 In deo salutare meum 3:39
12 O gloriosa domina 2:35
13 Quis mihi det 3:19
14 Pulvis et umbra sumus 2:41
15 Regnum mundi 2:34
16 Oculi omnium 4:20
17 Media vita in morte sumus 3:53
18 Exaudi domine 3:48
19 Agimus tibi gratias 1:25
2 Exsurgat deus 6:14
3 Salve regina 7:17
4 Pauper sum ego 1:52
5 Domine, clamavi ad te 8:09
6 Confitemini domino 4:08
7 Ante me 1:54
8 Pater noster 3:29
9 Misericordias domini 2:23
10 Nos qui sumus in hoc mundo 2:04
11 In deo salutare meum 3:39
12 O gloriosa domina 2:35
13 Quis mihi det 3:19
14 Pulvis et umbra sumus 2:41
15 Regnum mundi 2:34
16 Oculi omnium 4:20
17 Media vita in morte sumus 3:53
18 Exaudi domine 3:48
19 Agimus tibi gratias 1:25
The European fame of Roland de Lassus during his long career as composer and Kapellmeister at the Bavarian court in Munich was greater than any of his predecessors. It was due in the first place to the extraordinary expansion of the technique, relatively new at the time, of music printing. Thanks to this new medium a great number of printers, not only in the Germanic regions (where Lassus was active), but also in Italy (where he had lived for ten years during his youth), in the Netherlands (where he was born) and in France (where he had been well received), published his work. This was impressive and varied, covering all genres, both sacred and secular, known at that time, making Lassus the international figure of his day. One could say without exaggeration that for 40 years the demand was such that one could always find at least one printer engaged in preparing a Lassus edition. Indeed, between 1555 and 1594 there was each month at least one new appearance on the market of a composition by Lassus....