Geza Anda plays Vol II
SWR Music - H 94211
Wykonawcy
Geza Anda, piano
SWR Sinfonieorchester Baden Baden-Baden und Freiburg / Ernest Bour, Hans Rosbaud
Geza Anda, piano
SWR Sinfonieorchester Baden Baden-Baden und Freiburg / Ernest Bour, Hans Rosbaud
Geza Anda plays Vol II - from the SWR Archives:
Haydn:
Piano Sonata in F Major Hob XVI:23 und Balladen
Schumann:
Études Symphoniques op. 13 (First version – 1837)
Ravel:
Valses nobles et sentimentales
Rolf Liebermann:
Piano Sonata
Schumann:
Carnaval op. 9
Chopin:
12 Etudes op. 25
Ballade in G Minor, op. 23
Brahms:
Intermezzo in E-flat Major op. 117 No. 1
Haydn:
Piano Sonata in F Major Hob XVI:23 und Balladen
Schumann:
Études Symphoniques op. 13 (First version – 1837)
Ravel:
Valses nobles et sentimentales
Rolf Liebermann:
Piano Sonata
Schumann:
Carnaval op. 9
Chopin:
12 Etudes op. 25
Ballade in G Minor, op. 23
Brahms:
Intermezzo in E-flat Major op. 117 No. 1
Géza Anda's early reputation was built upon his unrivaled
mastery of the great Romantic repertoire: Chopin, Schumann,
Brahms, Ravel ... as he developed as an artist, he developed a
special affinity for the Piano Concertos of Mozart, but was
rather ambivalent to the solo piano works of the Salzburg
master, or for that matter, even some music of Haydn and
Beethoven. The current program, drawn both from studio
recordings dating from 1950-51 (Haydn, Schumann, Opus 13,
Ravel and Liebermann) and from a 1955 live concert,
incorporated in 1950 and 1951) and a concert from 1955
reflects some of the artist’s musical preoccupations.
Anda`s infallible sense of form, and understanding of the inner
workings of the music and his brilliant, unsentimental
performing style have influenced subsequent generations of
pianists. Anda also demonstrates his mastery of contemporary
music – as can be heard not only in his recordings of the
Bartók concertos - but here in his reading of the Rolf
Liebermann Sonata.
mastery of the great Romantic repertoire: Chopin, Schumann,
Brahms, Ravel ... as he developed as an artist, he developed a
special affinity for the Piano Concertos of Mozart, but was
rather ambivalent to the solo piano works of the Salzburg
master, or for that matter, even some music of Haydn and
Beethoven. The current program, drawn both from studio
recordings dating from 1950-51 (Haydn, Schumann, Opus 13,
Ravel and Liebermann) and from a 1955 live concert,
incorporated in 1950 and 1951) and a concert from 1955
reflects some of the artist’s musical preoccupations.
Anda`s infallible sense of form, and understanding of the inner
workings of the music and his brilliant, unsentimental
performing style have influenced subsequent generations of
pianists. Anda also demonstrates his mastery of contemporary
music – as can be heard not only in his recordings of the
Bartók concertos - but here in his reading of the Rolf
Liebermann Sonata.