Blenden, Tilgungen (2022) for ensemble
Inside-Piece (2019) for piano four hands
brown, fizzled out (2013/2014) for ensemble
from what height fallen (2016) for six male voices
like little ... sunderings (2016) for ensemble
any great distance (2018) for orchestra

Joanna Woźny’s music resists certainty. Fragmented, elusive, and ever-transforming, it listens into the noise of the everyday and distills from it something fiercely alive. Her works trace perception’s fault lines – between sound and noise, sense and abstraction – constantly unmaking and remaking form. In this sonic terrain, repetition never means stasis; structure dissolves into process. Each piece is a beginning: a seismographic record of emergent thought, a refusal to conclude. For Woźny, composition is not statement but inquiry – into presence, attention, and the fragile threads that connect the inner and outer worlds.