Vazquez:
Aswalaq, Zoos Humanos (2018) for female voices
Los Ojos del Pueblo acusan al estado terrorista (2020) for violoncello and piano
Lidio (2020) for two guitars
Taiken (2021) for violoncello
La Furia del Ermitano, a theatre of sounds about madness (2021) for two female voices and ensemble

In his album Tarió, Manuel Contreras Vázquez presents a profound engagement with Latin American history, sound exploration, and experimental notation. Through intricate timbral textures and an architectural approach to composition, his works navigate themes of memory, resistance, and human experience. From intimate solo pieces to collective vocal and instrumental forces, Contreras Vázquez challenges conventional musical boundaries, blending silence, phonetics, and social narratives. This album offers a deeply reflective journey, where music becomes both a sonic landscape and a call to awareness.