Wydawnictwo: Accent
Seria: Mozart Piano Concertos - Cristofori
Nr katalogowy: ACC 24323
Nośnik: 1 CD
Data wydania: styczeń 2017
EAN: 4015023243231
Seria: Mozart Piano Concertos - Cristofori
Nr katalogowy: ACC 24323
Nośnik: 1 CD
Data wydania: styczeń 2017
EAN: 4015023243231
Nasze kategorie wyszukiwania
Epoka muzyczna: klasycyzm
Obszar (język): niemiecki
Instrumenty: pianoforte, skrzypce
Rodzaj: koncert
Epoka muzyczna: klasycyzm
Obszar (język): niemiecki
Instrumenty: pianoforte, skrzypce
Rodzaj: koncert
Mozart: Piano Concertos KV 271, 413 & KV 414
Accent - ACC 24323
Kompozytor
Wolfgang Amadeus Mozart (1756-1791)
Wolfgang Amadeus Mozart (1756-1791)
Wykonawcy
Arthur Schoonderwoerd, pianoforte
Cristofori:
Luigi de Filippi, violin
Corrado Lepore, violin
Marten Boeken, alto
Szilárd Chereji, double bass
Vivian Berg, Seung Kyung Lee-Blondel, oboe
Pedro Blanco Gonzales, Jairo Jimeno Veses, horn
Arthur Schoonderwoerd, pianoforte
Cristofori:
Luigi de Filippi, violin
Corrado Lepore, violin
Marten Boeken, alto
Szilárd Chereji, double bass
Vivian Berg, Seung Kyung Lee-Blondel, oboe
Pedro Blanco Gonzales, Jairo Jimeno Veses, horn
Utwory na płycie:
Piano Concerto no. 9 in E flat major KV 271 (Salzburg, 1777)
Piano Concerto no. 11 in F major KV 413 (Vienna, 1782/3)
Piano Concerto no. 12 in A major KV 414 (Vienna, 1782/3)
Piano Concerto no. 11 in F major KV 413 (Vienna, 1782/3)
Piano Concerto no. 12 in A major KV 414 (Vienna, 1782/3)
Arthur Schoonderwoerd, one of today's most sought-after interpreters on the fortepiano, presents the sixth part of his complete recording of Mozart's piano concertos on the ACCENT label with this release of three early Piano Concertos, no. 9, 11 and 12.
As they have already done on their previous issues, the aim of Schoonderwoerd and his ensemble Cristofori here is to liberate Mozart's works from traditional nineteenth-century sound concepts. Each string part in the orchestra is played by just one performer; the result is a very slender, transparent sound that supports the solo instrument without ever covering it up.
Fortepiano copy after Anton Walter, Recorded 3-6 May 2016, Eglise Notre-Dame de Besançon, Doubs (France)
As they have already done on their previous issues, the aim of Schoonderwoerd and his ensemble Cristofori here is to liberate Mozart's works from traditional nineteenth-century sound concepts. Each string part in the orchestra is played by just one performer; the result is a very slender, transparent sound that supports the solo instrument without ever covering it up.
Fortepiano copy after Anton Walter, Recorded 3-6 May 2016, Eglise Notre-Dame de Besançon, Doubs (France)