Utwory na płycie:

• Sonetta After The Italion Way
• Trio Sonata in G Minor - I. Adagio
• Trio Sonata in G Minor - II. Canzone. Allegro – Adagio – Presto
• Trio Sonata in G Minor - III. Adagio
• Trio Sonata in G Minor - IV. [Allegro] – Vivace – Adagio
• Trio Sonata No. 6 in C Major, Z.. 795 - I. Sonnata (Sonnata's of III Parts)
• Trio Sonata No. 6 in C Major, Z.. 795 - II. Canzona (Sonnata's of III Parts)
• Trio Sonata No. 6 in C Major, Z.. 795 - III. Largo (Sonnata's of III Parts)
• Trio Sonata No. 6 in C Major, Z.. 795 - IV. Allegro (Sonnata's of III Parts)
• Trio Sonata and Suite in G Minor - I. Sonata
• Trio Sonata and Suite in G Minor - II. Allemand. Allegro
• Trio Sonata and Suite in G Minor - III. Courante. Allegro
• Trio Sonata and Suite in G Minor - IV. Sarabanda. Con affetto
• Trio Sonata and Suite in G Minor - V. Gavot. Allegro – Adagio
• Ciaccona in G Major
• Trio Sonata No. 9 in C Minor, Z. 798 - I. Sonnata (Sonnata's of III Parts)
• Trio Sonata No. 9 in C Minor, Z. 798 - II. Largo (Sonnata's of III Parts)
• Trio Sonata No. 9 in C Minor, Z. 798 - III. Canzona (Sonnata's of III Parts)
• Trio Sonata No. 9 in C Minor, Z. 798 - IV. Adagio (Sonnata's of III Parts)
• Trio Sonata No. 9 in C Minor, Z. 798 - V. Allegro (Sonnata's of III Parts)
• Trio Sonata in A Major
• Trio Sonata in G minor
• Sonata No. 6 in G minor, Z. 807

Robert King:
Sonetta after the Italion way

Giovanni Battista Draghi:
Trio Sonata in G Minor

Henry Purcell:
Trio Sonata N. 6 in C Major, Z.795
Trio Sonata N. 9 in C Minor, Z.798
“The Great Chaconne”, Z.807

Johann Gottfried Keller:
Trio Sonata and Suite in G Minor
Ciaccona in G Major

John Blow:
Trio Sonata in A Major

Gerhard Diessener:
Trio Sonata in G Minor

Five years after their celebrated Dresden Album, Johannes Pramsohler and his colleagues of Ensemble Diderot continue their journey exploring the trio sonata in baroque Europe with a programme dedicated to works from Purcell’s London. Through a combination of well-known works and world premieres they show how English composers used the new Italian form as a vehicle for their creative output and how easily foreign composers picked up the English idiom to create chamber music that could hardly be more profound and expressive.

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Recording: 17–19 December 2018, Gustav-Mahler-Saal, Euregio Kulturzentrum, Grand Hotel Dolomiten, Toblach/Italy.