
Wydawnictwo: Aeolus
Nr katalogowy: AE 10174
Nośnik: 1 CD
Data wydania: styczeń 2020
EAN: 4026798101749
Nr katalogowy: AE 10174
Nośnik: 1 CD
Data wydania: styczeń 2020
EAN: 4026798101749
Hassler / Erbach / Paix: All Lust und Freud
Aeolus - AE 10174
Kompozytor
Hans Leo Hassler (1562-1612)
Christian Erbach (1568-1635)
Jacob Paix (1556-1623)
Heinrich Pfendner, Johann Staden
Hans Leo Hassler (1562-1612)
Christian Erbach (1568-1635)
Jacob Paix (1556-1623)
Heinrich Pfendner, Johann Staden
Wykonawcy
Bernhard Klapprott, harpsichord
Bernhard Klapprott, harpsichord
Utwory na płycie:
Canzona sexti toni
"Je prends en grè"
Canzona quarti toni
Ricercar noni toni
Toccata in g
Canzona in g
Canzon in G
Balletto in D
Corrente in d
Sonata in a
Ricercar quarti toni
"Ist mir ein fein braun Meg[delein]"
"Du hast mich woellen nemmen"
Schirazula Marazula
"Aus frischem freyem muth"
Ungarescha
Canzon 12 toni
Allamanda varirt
Canzon in d
"Ach Schatz, ich sing und lache"
"Mit deinen lieblichen Augen"
"All Lust und Frewdt"
"Ach weh der schweren Pein"
"Nun last uns fröhlich sein"
"Ihr Musici, frisch auff und last doch hören"
Canzon in F
Christian Erbach:
Canzona sexti toni
Canzona quarti toni
Ricercar noni toni sopra le fuge “Io son ferito, ahi lasso” e “Vestiva i colli”
Johann Staden:
Toccata in g
Balletto in D
Corrente in d
Allamanda varirt
Jacob Haßler:
Canzona in g
Heinrich Pfendner:
Canzon in G
Valentin Dretzel:
Sonata in a
Carl van der Hoeven:
Ricercar quarti toni
Jacob Paix:
“Ist mir ein fein braun Meg[delein]”
“Du hast mich woellen nemmen”
Schirazula Marazula
“Aus frischem freyem muth”
Ungarescha – Saltarello
Hans Leo Haßler:
Canzon 12 toni
Canzon in d
“Ach Schatz, ich sing und lache”
“Mit deinen lieblichen Augen”
“All Lust und Frewdt” (Gagliarda)
“Ach weh der schweren Pein”
“Nun last uns fröhlich sein”
“Ihr Musici, frisch auff und last doch hören”
Canzon in F
“Je prends en gre” (Intavolation of the Chanson by Clemens non Papa, South German, c. 1595)
Canzona sexti toni
Canzona quarti toni
Ricercar noni toni sopra le fuge “Io son ferito, ahi lasso” e “Vestiva i colli”
Johann Staden:
Toccata in g
Balletto in D
Corrente in d
Allamanda varirt
Jacob Haßler:
Canzona in g
Heinrich Pfendner:
Canzon in G
Valentin Dretzel:
Sonata in a
Carl van der Hoeven:
Ricercar quarti toni
Jacob Paix:
“Ist mir ein fein braun Meg[delein]”
“Du hast mich woellen nemmen”
Schirazula Marazula
“Aus frischem freyem muth”
Ungarescha – Saltarello
Hans Leo Haßler:
Canzon 12 toni
Canzon in d
“Ach Schatz, ich sing und lache”
“Mit deinen lieblichen Augen”
“All Lust und Frewdt” (Gagliarda)
“Ach weh der schweren Pein”
“Nun last uns fröhlich sein”
“Ihr Musici, frisch auff und last doch hören”
Canzon in F
“Je prends en gre” (Intavolation of the Chanson by Clemens non Papa, South German, c. 1595)
For the first time the large clavicytherium of the Germanisches Nationalmuseum (Nuremberg) – a kind of vertical harpsichord built by an anonymous German master during the late sixteenth century – is recorded here on disc. The present instrument is undoubtedly a pinnacle of the art of instrument making, with unusual timbres and an astonishingly complex action.
Bernhard Klapprott, a former pupil of Bob van Asperen and today Professor of Harpsichord in Weimar, has selected appropriate music for this rare instrument: to be heard are delicate polyphonic works as well as full-voiced adaptations of popular songs of the time by South-German composers such as Hassler, Erbach, Paix, and Staden.
The unique instrument and the special repertoire are described in detail in the extensive booklet. In addition, Bernhard Klapprott explains the special background of the historical ornamentation employed.
Instrument: Clavicytherium, anonymous, Germany, c. 1620, Collection Germanisches Nationalmuseum, Nuremberg.
Bernhard Klapprott, a former pupil of Bob van Asperen and today Professor of Harpsichord in Weimar, has selected appropriate music for this rare instrument: to be heard are delicate polyphonic works as well as full-voiced adaptations of popular songs of the time by South-German composers such as Hassler, Erbach, Paix, and Staden.
The unique instrument and the special repertoire are described in detail in the extensive booklet. In addition, Bernhard Klapprott explains the special background of the historical ornamentation employed.
Instrument: Clavicytherium, anonymous, Germany, c. 1620, Collection Germanisches Nationalmuseum, Nuremberg.