Utwory na płycie:

• Requiem for soloists, chorus, and orchestra, K. 626: Introitus and Kyrie. No. 1. Requiem and Kyrie
• Requiem for soloists, chorus, and orchestra, K. 626: Sequence. No. 2. Dies Irae
• Requiem for soloists, chorus, and orchestra, K. 626: Sequence. No. 3. Tuba mirum
• Requiem for soloists, chorus, and orchestra, K. 626: Sequence. No. 4. Rex tremendae
• Requiem for soloists, chorus, and orchestra, K. 626: Sequence. No. 5. Recordare
• Requiem for soloists, chorus, and orchestra, K. 626: Sequence. No. 6. Confutatis maledictis
• Requiem for soloists, chorus, and orchestra, K. 626: Sequence. No. 7. Lacrimosa
• Requiem for soloists, chorus, and orchestra, K. 626: Offertorium. No. 8. Domine Jesu
• Requiem for soloists, chorus, and orchestra, K. 626: Offertorium. No. 9. Hostias
• Requiem for soloists, chorus, and orchestra, K. 626: Sanctus. No. 10. Sanctus
• Requiem for soloists, chorus, and orchestra, K. 626: Benedictus. No. 11. Benedictus
• Requiem for soloists, chorus, and orchestra, K. 626: Agnus Dei and Communio. No. 12. Agnus Dei

Requiem Mass
K.626

This is a grandly scaled, nobly contoured reading, by turns monumental and ferociously dramatic. With biting choral attack, searing, spitting strings and scything trumpets, the Dies irae has a terrifying intensity I have rarely heard equalled. The Rex tremendae, too, is overwhelming in its desperate fervour and grimly sustained impetus, with the inexorable dotted rhythms hewn from granite ... If you want a traditionally conceived budget-price Requiem, well sung, superbly played and vividly recorded, Davis's performance has much to commend it.” (Gramophone)