Everest original masters recorded on 35 mm magnetic film

DISC A:
Brahms:
Symphony No. 3 in F Major, Op. 90
Wagner arr. by Leopold Stokowski:
The Valkyrie “Die Walkure”
‘Parsifal’ Symphonic Synthesis

DISC B:
Wagner (cont.) (Wagner’s concert version):
Parsifal - The Good Friday Spell (“Karfreitagszauber”)
Tchaikovsky:
Francesca da Rimini, Symphonic Fantasia after Dante, Op.32
Hamlet Fantasy Overture in F Minor, Op.67
Strauss:
Dance of The Seven Veils, from Salome
Don Juan

DISC C:
Strauss:
Till Eulenspiegel's Merry Pranks
Prokofiev:
Cinderella (Ballet Suite)
The Ugly Duckling, Op.18 (Regina Resnik, soprano)
Peter &
The Wolf, Op. 67

DISC D:
Bartók:
Concerto for Orchestra
Shostakovich:
Symphony No.5 in D minor, Op.47

DISC E:
Scriabin:
Poem of Ecstasy Op.54
Amirov:
Azerbaijan Mugam
Chopin (transcribed for Orchestra by Stokowski):
Mazurka in A Minor, Op.17, No.4
Prelude in D Minor, Op.28, No.24
Waltz in C Sharp Minor, Op.64, No.2
Debussy:
Children's Corner Suite
Jumbo’s Lullaby
The Little Shepherd
Golliwog’s Cake-Walk
Villa-Lobos:
Uirapurú
Modinha (Bachianas Brasileiras No.1)

DISC F:
Canning:
Fantasy on a Hymn Tune by Justin Morgan for Double String Quartet and String Orchestra

Vanguard original recording masters

Bloch:
America, An Epic Rhapsody
Thomson:
The Plow that Broke the Plains

DISC G:
Thomson:
Suite from ‘The River’
Scriabin:
Etude in C Sharp Minor, Op.2 No.1
Tchaikovsky:
Symphony No.4 in F minor, Op.36

DISC H:
Stravinsky:
L’Histoire du Soldat (French)
From “Baroque -In Dulci Jubilo” (Bach, Vivaldi, Corelli):
Sinfonia from J S Bach Christmas Oratorio arr. Schickele)
Jesu Joy of Man's Desiring (Bach arr. Peter Schickele)
Sheep may safely graze (Bach arr. Stokowski)

DISC I:
Vivaldi:
Concerto Grosso in D minor Op.3/11
Corelli:
Concerto Grosso in G minor Op.6/8, ‘Christmas Concerto’
Mozart:
Serenade No. 10 in B-flat Major, K361 ‘Gran Partita’

BONUS DISC J:
Legendary Stokowski from other Labels:
Bach 1-4 all transc. Stokowski

“one of the pre-eminent conductors of the early-mid-20th century … his style was distinctive for its lack of a baton, favouring a free-hand technique, and for his ability to draw out a lush, sumptuous sound. Stokowski held prominent positions with prestigious orchestras from Cincinnati to Philadelphia and from New York to Houston, also founded several others. In addition, he made significant contributions to cinema … and to contemporary composers, often premiering their new works during his remarkable six-decade conducting career” (© Violin Channel)