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Wydawnictwo: Analekta
Nr katalogowy: AN 28907
Nośnik: 1 CD
Data wydania: listopad 2019
EAN: 774204890728
w magazynie
Nasze kategorie wyszukiwania

Epoka muzyczna: barok
Obszar (język): włoski, niemiecki
Instrumenty: wiolonczela, trąbka
Rodzaj: sonata, koncert, suita

Bach / Corelli / Telemann: Back to Bach

Analekta - AN 28907
Johann Sebastian Bach (1685-1750)
Arcangelo Corelli (1653-1713)
Georg Philip Telemann (1681-1767)
George Frederick Handel, Gottfried Heinrich Stolzel, Gregorio Allegri
Ofra Harnoy, cello
Mike Herriott, trumpet, french horn, trombone, double-bass
Nagrody i rekomendacje
ArkivMusic Best of
Georg Philipp Telemann:
Six Sonates en Duo, TWV 40:118 - Sonata No. 1

Johann Sebastian Bach:
Toccata, Adagio, and Fugue in C major, BWV 564 - Adagio (arr. Mike Herriott)
Violin Concerto in E major, BWV 1042 - Adagio (arr. Mike Herriott)
Orchestral Suite No. 3 in D major, BWV 1068 - Air (arr. Mike Herriott)

George Frederick Handel:
Sonata for Cello No. 3 in F major (arr. Mike Herriott)

Arcangelo Corelli:
Sonata No. 8 in D minor, Op. 5
Sonata No. 5 in B-flat major, Op. 5 - Adagio

Gottfried Heinrich Stolzel:
Bist du bei mir (arr. J.S. Bach, orch. Mike Herriott)

Gregorio Allegri:
Miserere mei, Deus (arr. Mike Herriott)
After suffering a debilitating shoulder injury from years of touring and endless recording sessions, cellist Ofra Harnoy underwent reconstructive surgery in 2015. A successful physical therapy allowed her to return to the stage in 2018 and, earlier this year, to start recording her much anticipated comeback album, Back to Bach. It is an album of profound musicality and passion which features Baroque favourites, such as Bach’s Air from Orchestral Suite No. 3 andBist du bei mir, as well as some lesser known gems from composers such as Allegri and Corelli.

“With this being my first new album since my hiatus, I am thrilled to be able to combine some repertoire from my earliest albums with works that I had not previously recorded. For this project, I was excited to explore the concept of creating a large cello ensemble by myself for some of the selections, and introduce the innovative approach of having the beautiful organ-like sound of a brass choir accompaniment for the rest, in order to realize my own personal vision of this music.” - Ofra Harnoy

This recording was made at Doghouse Studio, St. John’s, Newfoundland, Canada, 2019.

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