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Wydawnictwo: APR
Seria: French Piano School
Nr katalogowy: APR 6025
Nośnik: 2 CD
Data wydania: grudzień 2018
EAN: 5024709160259
56,00zł
w magazynie
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Nasze kategorie wyszukiwania

Epoka muzyczna: 20 wiek do 1960
Obszar (język): francuski
Rodzaj: preludia, mazurek, nokturn

Debussy: Complete Recordings - French Piano School

APR - APR 6025
Kompozytor
Claude Debussy (1862-1918)
Faure, Ravel
Wykonawcy
Marius-François Gaillard, piano
Carmen Guilbert, piano
CD 1:
Jardins sous la pluie (Estampes, No 3)
Reverie
3- Deux Arabesques
Reflets dans l’eau (Images, Set I, No 1)
La soirée dans Grenade (Estampes, No 2)
La Cathédrale engloutie (Preludes, Book I, No 10)
Ballade
Pour le piano
Preludes, Book 1 – Danseuses de Delphes, La fille aux cheveux de lin, La serenade interrompue, Minstrels
Mazurka
La plus que lent
Preludes, Book 2 – La Puerta del Vino, General Lavine – exentric, Ondine, Hommage a S. Pickwick Esq., P.P.M.P.C.

CD 2:
Debussy:
Masques
2. Pagodes (Estampes, No 1)
Valse romantique
Suite Bergamasque – Prélude, Menuet, Clair de lune
Minstrels (Preludes, Book I, No 12)
8. Bruyeres (Preludes, Book II, No 5)
Pour le piano – Sarabande, Toccata

Faure:
Impromptu No 2 in F minor, Op 31
12. Barcarolle No 6 in E flat major, Op 70
Nocturne No 3 in A flat major, Op 33, No 3
Nocturne No 6 in D flat major, Op 63
Theme et variations, Op 73

Ravel:
Alborada del gracioso (No 4 from Miroirs)
This release launches an important new APR series devoted to the French Piano School. For around 150 years France has nurtured a distinctive style of pianism centred on the teaching of the Paris Conservatoire. The heyday of the school was probably the first fifty years of the 20th century and this series of recordings aims to explore in depth the often-forgotten recordings made at this time.

Marius-François Gaillard was the first pianist to perform the complete piano works of Debussy in concert, which he did first in 1920, and again in 1922. He subsequently made the recordings featured here, and these were by far the largest body of Debussy piano recordings until the 1930s. As such they give us the closest view of Debussy playing to the composer’s own time and reveal a clarity and objectivity which exemplifies the traditions of French pianism but is somewhat different from the ‘impressionist’ style of Gieseking which was to follow and become the accepted model. Gaillard later pursued a career as a composer and his early recordings were forgotten. To commemorate the 100th anniversary year of Debussy’s death, this is their first reissue.

Carmen Guilbert also had a short active career, but as a pupil of Marguerite Long her playing, particularly of Fauré, is important. These are her complete classical recordings, though she also recorded three discs of Billy Mayerl!

Odéon recordings 1928-1930; Pathé recordings 1930-1938

Zobacz także:

  • APR 6028
  • APR 6030
  • KTC 1625
  • ACD 22766
  • MP 1801
  • ACD 22756
  • BMCCD 266
  • CHR 77445
  • CAR 83499
  • CHAN 10991