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Wydawnictwo: APR
Nr katalogowy: APR 7311
Nośnik: 3 CD
Data wydania: maj 2019
EAN: 5024709173112
75,00 zł
29,3% taniej
53,00 zł
w magazynie
Nasze kategorie wyszukiwania

Instrumenty: fortepian
Rodzaj: koncert, sonata, etiuda

Elly Ney Complete Brunswick & Electrola solo 78-rpm recordings

APR - APR 7311

Mozart, Beethoven, Strauss, Schubert, Brahms, Schumann, Mendelssohn, Chopin, Liszt, Debussy, Teresa Carreno
Elly Ney, piano
Berlin Landesorchester / Fritz Zaun
Berlin State Opera Orchestra / Willem van Hoogstraten
Nagrody i rekomendacje
Diapason 5
CD 1 - Electrola recordings 1934-1938:
Piano Concerto No. 15 in B flat major, K450
Rondo in A minor, K511

Piano Concerto No 2 in B flat major, Op. 19

Richard Strauss:
Burleske in D minor

CD 2 - Electrola recordings 1936-1938:
Sonata No. 4 in E flat major, Op. 7
Andante favori in F major, WoO 57
Sonata No. 8 in C minor, Op. 13 2nd mvt
Six Variations on ‘Nel cor piu non mi sento’, WoO 70
Sonata No. 32 in C minor, Op. 111

CD 3 - Electrola recordings 1934-1938:
Impromptu in F minor, D935/4
Moment musical in C sharp minor, D780/4

Kinderszenen, Op. 15

Intermezzo in E flat, Op. 117/1
Romance in F, Op. 118/5
Rhapsody in E flat, Op. 119/4
Intermezzo in A flat, Op. 76/3
Waltz in A flat, Op. 39/15

Brunswick recordings 1922–1924:
Ecossaises, WoO 83

Moment musical in F minor, D780/3

Song without words ‘Spinning song’, Op. 67/4

Étude in E, Op. 10/3
Nocturne in F sharp, Op. 15/2

Hungarian Rhapsody No. 8, S244/8

‘Hark, Hark! The Lark’ Ständchen von Shakespeare, S558/9
Valse-caprice No. 7 in A, Soirées de Vienne, S427/7

Hungarian Dance No. 2 in D minor, WoO 1

Teresa Carreno:
Kleiner Walzer

Feux d’artifice Préludes Book II, No. 12
German pianist Elly Ney (1882–1968) came to be regarded as one of the great Beethoven interpreters of the 20th century and her pre-War recording of the Op 111 sonata must still be considered one of the very finest. That recording, and all the other solo and concerto recordings she made for Electrola before the war are included here. Particularly noteworthy are the three landmark concerto recordings, the Mozart and Beethoven vivacious and stylish, the Strauss revealing just what a virtuoso Ney could be.

Though she specialized in Austro-German repertoire, another side to her art is shown in her early, almost unknown, American Brunswick acoustic recordings, reissued in this set for the first time. Here the repertoire choice is broader and lighter and there is even a stunningly articulated Debussy ‘Feux d’artifice’ – the work’s first recording.

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