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Wydawnictwo: Audite
Seria: Grieg Complete Symphonic Works
Nr katalogowy: AUDITE 92671
Nośnik: 1 SACD
Data wydania: listopad 2015
EAN: 4022143926715
na zamówienie
Nasze kategorie wyszukiwania

Epoka muzyczna: romantyzm
Obszar (język): norweski

SACDHybrydowy format płyty umożliwia odtwarzanie w napędach CD!

Grieg: Complete Symphonic Works Vol. V

Audite - AUDITE 92671
Camilla Tilling, soprano
Tom Erik Lie
WDR Sinfonieorchester Köln / Eivind Aadland
Nagrody i rekomendacje
ICMA Award Nomination MusicWeb Recording of the Month Pizzicato 5
Music to Henrik Ibsen‘s Peer Gynt, Op. 23
Six Orchestral Songs
Two Lyric Pieces, Op. 68'
The Mountain Thrall, Op. 32
Norwegian Dances, Op. 35
?Soprano Camilla Tilling plays a leading part in the fifth and final volume of audite's complete

recording of Edvard Grieg's orchestral works: although Grieg drew on his own songs with

orchestra or piano for the Six Orchestral Songs, this set forms an independent, elegiacally-hued

cycle reflecting the core of Grieg's personality. It includes not only two songs from the incidental

music to Peer Gynt (Solveig's Song and Solveig's Lullaby) but also transcriptions of solemn piano

songs such as the Roman ballad From Monte Pincio, or the memory of the short-lived Norwegian patriot Henrik Wergeland, to whom the final song (sung by Tom Erik Lie) is dedicated. This recording gathers several important examples of the less familiar Edvard Grieg as composer of songs with orchestra.

As an orchestral composer, Edvard Grieg is known primarily for his piano concerto, his dances and atmospheric pictures based on Nordic mythology or folk music. Eivind Aadland and the WDR Sinfonieorchester Köln have recorded several pieces from this realm - including two numbers from the incidental music to Henrik Ibsen's drama Peer Gynt, as well as the popular Norwegian Dances, Op. 35, which his contemporary Hans Sitt arranged for piano for four hands.

Cities such as Oslo and Bergen, where Grieg worked as a conductor, did not provide inspiration for his

compositions: in order to be able to write, he travelled to the countryside. He particularly loved the wild

region of Hardanger in West Norway, where he found the most original folk music and where he spent

several summers. Here, he composed not only his Norwegian Dances, but also the short orchestral ballad

Den Bergtekne (The Mountain Thrall), in which Grieg portrays himself as a restless poet, at odds with love.

Zobacz także:

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