Wydawnictwo: Audite
Nr katalogowy: AUDITE 97727
Nośnik: 1 CD
Data wydania: lipiec 2017
EAN: 4022143977274
Nr katalogowy: AUDITE 97727
Nośnik: 1 CD
Data wydania: lipiec 2017
EAN: 4022143977274
Nasze kategorie wyszukiwania
Epoka muzyczna: 20 wiek do 1960
Obszar (język): czeski, francuski
Rodzaj: trio
Epoka muzyczna: 20 wiek do 1960
Obszar (język): czeski, francuski
Rodzaj: trio
Milhaud / Martinu: Works for String Trio
Audite - AUDITE 97727
Wykonawcy
Jacques Thibaud String Trio
Jacques Thibaud String Trio
Utwory na płycie:
- String Trio, Op. 274 - I. Vif
- String Trio, Op. 274 - II. Modéré
- String Trio, Op. 274 - III. Sérénade. Alerte
- String Trio, Op. 274 - IV. Canons. Lent et très expressif
- String Trio, Op. 274 - V. Jeu Fugué. Vif
- Sonatine à trois, Op. 221b - I. Très Modéré
- Sonatine Ă trois, Op. 221bII. Contrepoint. Lent
- Sonatine Ă trois, Op. 221bIII. Anime
- String Trio No. 1, H 136 - I. Allegro
- String Trio No. 1, H 136 - II. Andante
- String Trio No. 1, H 136 - III. Poco Allegro
- String Trio No. 2, H 238 - I. Allegro
- String Trio No. 2, H 238 - II. Poco moderato - Vivo - Allegro ma non troppo
Milhaud:
String Trio, Op. 274
Sonatine a trois, Op. 221b
Martinu:
String Trio No. 1, H 136
String Trio No. 2, H 238
String Trio, Op. 274
Sonatine a trois, Op. 221b
Martinu:
String Trio No. 1, H 136
String Trio No. 2, H 238
There are several parallels to be found in the lives of the Southern French composer Darius Milhaud (1892-1974) and the Moravian-Bohemian composer Bohuslav Martinů (1890-1959). Both needed the metropolis of Paris, that seething artistic melting pot after the First World War, in order to refine their originality; both were open to all kinds of musical styles, from South American folklore to North American jazz through to Bachian counterpoint; finally, both had to flee the Germans in France in 1940, heading for the USA - Milhaud on account of being a Jew, and Martinů as a patriotic Czech in exile.
The two composers' complete works for string trio, contrasted here for the first time, uncover various similarities - even though each work bears the hallmarks of its composer, and Martinů's trios were written in Paris, whilst Milhaud did not compose his until he had reached America. The works are characterised by a playful, spirited tone as well as the charm of Mediterranean and Czech folk tunes. But there is also what Milhaud termed, and valued, as "discipline" in chamber music: strict counterpoint and technical skill - utilised radically, without slipping into dry pedantry.
These are four marvels of intimate music-making, assembled by the Jacques Thibaud Trio with their own artistic instinct and flair.
The two composers' complete works for string trio, contrasted here for the first time, uncover various similarities - even though each work bears the hallmarks of its composer, and Martinů's trios were written in Paris, whilst Milhaud did not compose his until he had reached America. The works are characterised by a playful, spirited tone as well as the charm of Mediterranean and Czech folk tunes. But there is also what Milhaud termed, and valued, as "discipline" in chamber music: strict counterpoint and technical skill - utilised radically, without slipping into dry pedantry.
These are four marvels of intimate music-making, assembled by the Jacques Thibaud Trio with their own artistic instinct and flair.