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Wydawnictwo: Audite
Nr katalogowy: AUDITE 97775
Nośnik: 1 CD
Data wydania: luty 2021
EAN: 4022143977755
62,00zł
w magazynie
Zamów
Nasze kategorie wyszukiwania

Epoka muzyczna: barok
Obszar (język): niemiecki
Instrumenty: skrzypce
Rodzaj: koncert, uwertura

Venturini: Concerti

Audite - AUDITE 97775
Wykonawcy
la festa musicale / Anne Marie Harer, Mechthild Karkow
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Concerti di camera, Op. 1, No. 2 in A minor
Concerti di camera, Op. 1, No. 11 in B-flat major
Ouverture a 5 in E minor
Concerto a 6 in A major
Concerti di camera, Op. 1, No. 9 in G minor
The Concerti of the violinist-composer Francesco Venturini (c.1675- 1745) are a real discovery – melodious, virtuosic, elegant and dance-like, combining Italian and French stylistic elements to form a “mixed taste”, as Telemann described this mélange. Inspired by the pulsating cultural and intellectual life at the Hanoverian court, Venturini wrote ambitious orchestral music full of joie de vivre, defined by numerous concertato passages for both wind and string instruments.

His works feature a rich diversity of – sometimes unusual – colours: as his concerto soloists, he chooses not only combinations of one or two oboes, recorders and violins, but also two bassoons and two cellos, or even an oboe, two recorders and violin – the latter being a combination reminiscent of JS Bach’s Brandenburg Concertos which were to be written a few years later.

The release marks the beginning of the collaboration between audite and la festa musicale. The ensemble presents a representative cross section of Venturini's instrumental music: three orchestral suites from Opus 1, which was already published in print during his lifetime, as well as two discoveries from Swedish music collections; three works are presented as first recordings (Op. 1/2, Ouverture a 5, Concerto a 6).

The North German baroque ensemble la festa musicale stands for first rate artistic level, which is reflected in creative, interdisciplinary concert formats and top-class collaborations. The interpretations intensify the colourfulness of the works by means of instrumentation variations beyond the original score, in line with the common practice in the Baroque period, as well as by additional effects such as the use of percussion instruments.

Recording: October 21 - 24, 2019, Sendesaal Bremen.

Zobacz także:

  • NIFCCD 072
  • SIGCD 686
  • RCD 1085
  • GEN 21714
  • DCD 34246
  • PAS 1091
  • NFPMA 99146
  • NEOS 32101
  • AVI 8553084
  • CC 72894