Utwory na płycie:

• Cello Sonata in G minor, Op. 19 - I. Lento – Allegro moderato
• Cello Sonata in G minor, Op. 19 - II. Allegro scherzando
• Cello Sonata in G minor, Op. 19 - III. Andante
• Cello Sonata in G minor, Op. 19 - IV. Allegro mosso
• Cello Sonata in D minor, Op. 40 - I. Allegro non troppo
• Cello Sonata in D minor, Op. 40 - II. Allegro
• Cello Sonata in D minor, Op. 40 - III. Largo
• Cello Sonata in D minor, Op. 40 - IV. Allegro
• Im Stile von Albeniz for violin & piano
• March (from The Love for Three Oranges)
• New York Honk

Sergei Rachmaninov:
Sonata for Cello and Piano in G minor, Op. 19

Dmitri Shostakovich:
Sonata for Cello and Piano in D minor, Op. 40

Rodion Shchedrin:
In the Style of Albéniz

Sergei Prokofiev:
March (from The Love for Three Oranges)

Thomas Demenga:
New York Honk

In the spring of 2019, Christoph Croisé scored a break-through with his critically acclaimed recording of Haydn’s Cello Concertos (AV 2402). With The Russian Album, he turns his attention to two towering 20th-century masterpieces, Sergei Rachmaninov’s early, eloquent and emotional Sonata for Cello and Piano, Op. 19, and Dmitri Shostakovich’s D minor Sonata for Cello and Piano, Op. 40. The latter work’s finale featured what would become the composer’s signature style of caricature and irony that proved too provocative to the Stalinist regime. Croisé also offers two “encores” – his own transcriptions of the March from Sergei Prokofiev’s propulsive opera The Love for Three Oranges, and Rodion Shchedrin’s flambouyant In the Style of Albéniz – and a bonus track by his compatriot, the Swiss cellist and composer Thomas Demenga, New York Honk, a humourous homage to the Big Apple’s cacophonous traffic noises.

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Recorded 23 – 25 October 2017, Radiostudio Zürich, Switzerland.