
Nasze kategorie wyszukiwania
Epoka muzyczna: współczesna, 20 wiek do 1960
Obszar (język): węgierski, włoski
Instrumenty: wiolonczela
Rodzaj: sonata, koncert
Epoka muzyczna: współczesna, 20 wiek do 1960
Obszar (język): węgierski, włoski
Instrumenty: wiolonczela
Rodzaj: sonata, koncert
Sollima / Ligeti / Kodaly: The Solo Album
Avie - AV 2466
Kompozytor
Giovanni Sollima (ur. 1962)
Gyorgy Ligeti (1923-2006)
Zoltan Kodaly (1882-1967)
Christoph Croise, Peter Pejtsik, Thomas Buritch
Giovanni Sollima (ur. 1962)
Gyorgy Ligeti (1923-2006)
Zoltan Kodaly (1882-1967)
Christoph Croise, Peter Pejtsik, Thomas Buritch
Wykonawcy
Christoph Croise, cello
Christoph Croise, cello
Utwory na płycie:
Giovanni Sollima: Concerto Rotondo for solo cello - I. Lento con liberta
Giovanni Sollima: Concerto Rotondo for solo cello - II. Allegro
Giovanni Sollima: Concerto Rotondo for solo cello - III. Yafa
Giovanni Sollima: Concerto Rotondo for solo cello - IV. Allegro
Gyorgy Ligeti: Sonata for solo cello - I. Dialogo
Gyorgy Ligeti: Sonata for solo cello - II. Capriccio
Christoph Croise: Spring Promenade
Peter Pejtsik: Stonehenge
Zoltan Kodaly: Sonata for solo cello Op. 8 - I. Allegro maestoso ma appassionato
Zoltan Kodaly: Sonata for solo cello Op. 8 - II. Adagio (con grand espressione)
Zoltan Kodaly: Sonata for solo cello Op. 8 - III. Allegro molto vivace
Giovanni Sollima: Alone
Thomas Buritch: Some like to show it off
Giovanni Sollima:
Concerto Rotondo for solo cello
Alone
Gyorgy Ligeti:
Sonata for solo cello
Christoph Croise:
Spring Promenade
Peter Pejtsik:
Stonehenge
Zoltan Kodaly:
Sonata for solo cello, Op. 8
Thomas Buritch:
Some like to show it off
Concerto Rotondo for solo cello
Alone
Gyorgy Ligeti:
Sonata for solo cello
Christoph Croise:
Spring Promenade
Peter Pejtsik:
Stonehenge
Zoltan Kodaly:
Sonata for solo cello, Op. 8
Thomas Buritch:
Some like to show it off
Modernism. Multiculturism. Multi-tuning. Lockdown. These are among the elements that bind the works on The Solo Album by award winning cellist Christoph Croisé, who took the opportunity of 2020’s coronavirus isolation to work intensively on a variety of solo works and also turn his hand to composition.
At the heart of the album is Hungarian composer Zoltán Kodály’s epic Sonata, the first major work for solo cello after the suites by Johann Sebastian Bach which were written two centuries earlier. The virtuosity demands of the soloist re-tuning two of the cello’s strings, double-stop trills and simultaneous bowed and plucked passages, all of which Christoph dispatches with aplomb. Framing Kodály’s Sonata are works by two compatriots, György Ligeti’s two-movement Sonata which draws inspiration from Béla Bartók, and the more recent Stonehenge by cellist, composer and pop-music producer Péter Pejtsik which includes intimations of electric guitar. A “sandwich filler” is Christophe’s first composition for solo cello, Spring Promenade, which is infused with boogie-woogie, reggae, swing and techno. He took inspiration from Sicilian composer-cello virtuoso Giovanni Sollima whose Concerto Rotondo incorporates electronics and extended techniques. Closing out the album, Sollima’s short work Alone gives way to the album’s “encore”, the exuberant Some like to show it off by Croatian cellist-composer Thomas Buritch.
Recordings: 16–18 June 2020, Reformierte Kirche Niederlenz, Switzerland. Christoph Croisé plays a rare Italian master cello, crafted in 1680.
At the heart of the album is Hungarian composer Zoltán Kodály’s epic Sonata, the first major work for solo cello after the suites by Johann Sebastian Bach which were written two centuries earlier. The virtuosity demands of the soloist re-tuning two of the cello’s strings, double-stop trills and simultaneous bowed and plucked passages, all of which Christoph dispatches with aplomb. Framing Kodály’s Sonata are works by two compatriots, György Ligeti’s two-movement Sonata which draws inspiration from Béla Bartók, and the more recent Stonehenge by cellist, composer and pop-music producer Péter Pejtsik which includes intimations of electric guitar. A “sandwich filler” is Christophe’s first composition for solo cello, Spring Promenade, which is infused with boogie-woogie, reggae, swing and techno. He took inspiration from Sicilian composer-cello virtuoso Giovanni Sollima whose Concerto Rotondo incorporates electronics and extended techniques. Closing out the album, Sollima’s short work Alone gives way to the album’s “encore”, the exuberant Some like to show it off by Croatian cellist-composer Thomas Buritch.
Recordings: 16–18 June 2020, Reformierte Kirche Niederlenz, Switzerland. Christoph Croisé plays a rare Italian master cello, crafted in 1680.