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Wydawnictwo: Avie
Nr katalogowy: AV 2495
Nośnik: 1 CD
Data wydania: marzec 2022
EAN: 822252249521
60,00zł
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Epoka muzyczna: współczesna
Obszar (język): angielski (Australia), angielski (USA)
Instrumenty: harfa

Edwards / Kats-Chernin / Larsen: In Transit

Avie - AV 2495
Kompozytor
Ross Edwards (ur. 1943)
Elena Kats-Chernin (ur. 1957)
Libby Larsen (ur. 1950)
Laura Zaerr, Sally Greenaway, Tristan Coelho, Kate Moore, Augusta Read Thomas, Sally Whitwell, Nancy Gustavson, Deborah Henson-Conant
Wykonawcy
Emily Granger, harp
Tristan Coelho:
In Transit
The Old School

Ross Edwards:
The Harp and the Moon

Laura Zaerr:
River Right Rhumba

Sally Greenaway:
Liena

Libby Larsen:
Theme and Deviations

Elena Kats-Chernin:
Blue Silence (transcr. Granger)

Kate Moore:
Spin Bird

Augusta Read Thomas:
Eurythmy Etude “Still Life” (transcr. Granger)

Sally Whitwell:
Undiminished

Nancy Gustavson:
Great Day

Deborah Henson-Conant:
The Nightingale
American-Australian harpist Emily Granger makes her solo debut recording, In Transit, with a collection of contemporary works that reveal the breadth and beauty of harp music from her two countries.

Memories and moods infuse Tristan Coehlo’s evocative title track as well as the composer’s The Old School, recalling an artists’ residence in Australia’s Blue Mountains where he first met Emily. Laura Zaerr’s rhythmical River Right Rhumba is inspired by West African drumming, whilst Sally Greenaway’s Liena, named after Melbourne-born harpist Liena Lacey, draws upon jazz and Latin dance music. Ross Edwards evokes a fantasia in his hypnotic The Harp and the Moon, whilst Libby Larsen’s bold Theme and Deviations is a tease on the traditional musical form. Sally Whitwell’s Undiminished is just that both harmonically and in spirit. Emily’s virtuosity is on full display in Kate Moore’s soaring Spin Bird, inspired by Jonathan Livingston Seagull, and in Nancy Gustavson’s Great Day, steeped in colourful glissandi showing off the harp in all its glory. Turning her hand to arranging, Emily has adapted Elena Kats-Chernin’s Blue Silence, originally for cello and piano, underscoring the works calming, healing and meditative properties; and Augusta Read Thomas’ Eurythmy Etude “Still Life”, originally for solo piano, stemming from the Greek meaning for beautiful and harmonious rhythm. Emily closes the album with Deborah Henson-Conant’s The Nightingale, one of her earliest musical memories as a young harpist.

Recorded at Dodgy Sound, Sydney, Australia, November 2020 & August 2021.

Zobacz także:

  • ONYX 4128
  • AVI 8553025
  • RCD 1047
  • SIGCD 685