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Epoka muzyczna: 20 wiek do 1960, współczesna
Obszar (język): francuski, holenderski, angielski (USA)
Instrumenty: fortepian
Rodzaj: pieśń
Epoka muzyczna: 20 wiek do 1960, współczesna
Obszar (język): francuski, holenderski, angielski (USA)
Instrumenty: fortepian
Rodzaj: pieśń
Bosmans / Boulanger / Bauer: This Island
Avie - AV 2592
Kompozytor
Henriette Bosmans (1895-1952)
Nadia Boulanger (1887-1979)
Marion Bauer (1882-1955)
Élisabeth Claisse, Irene Fuerison, Raoul Pugno
Henriette Bosmans (1895-1952)
Nadia Boulanger (1887-1979)
Marion Bauer (1882-1955)
Élisabeth Claisse, Irene Fuerison, Raoul Pugno
Wykonawcy
Susan Narucki, soprano
Donald Berman, piano
Susan Narucki, soprano
Donald Berman, piano
Utwory na płycie:
Bosmans--Dit Eiland
Bosmans--In den Regen
Bosmans--Teken den hemel in het zand der zee
Claisse--"Issue"
Claisse--Complainte
Claisse--"Philosophie"
Claisse--Les Mendiants
Fuerison--Op. 50, No. 1: Les Heures Claires I
Fuerison--Op. 50, No. 2: Les Heures Claires XX
Fuerison--Op. 50, No. 3: Les Heures d'Après-midi XXVII
Fuerison--Op. 50, No. 4: Les Heures d'Après-midi XXIX
Fuerison--Op. 50, No. 5: Les Heures du Soir XXI
Fuerison--Op. 50, No. 6: Les Heures du Soir XXVI
Boulanger/Pugno--Les Heures Claires: I. Le ciel en nuit s'est déplié
Boulanger/Pugno--Les Heures Claires: III. Vous m'avez dit
Boulanger/Pugno--Les Heures Claires: IV. Que tes yeux clairs, tes yeux d'été...
Boulanger/Pugno--Les Heures Claires: VI. Ta bonté
Bauer--Four Poems, Op. 16: 1. Through the Upland Meadows
Bauer--Four Poems, Op. 16: 2. I Love the Night
Bauer--Four Poems, Op. 16: 3. Midsummer Dreams
Bauer--Four Poems, Op. 16: 4. In the Bosom of the Desert
Henriëtte Bosmans:
Dit eiland
In den regen
Teeken den hemel in het zand der zee
Élisabeth Claisse:
4 Mélodies
Irene Fuerison:
Les Heures claires, Les Heures d’apres-midi, Les Heures du soir, Op. 50
Nadia Boulanger/Raoul Pugno:
Les Heures claires, Mvts I, III, IV, VI
Marion Bauer:
Four Poems, Op. 16
Dit eiland
In den regen
Teeken den hemel in het zand der zee
Élisabeth Claisse:
4 Mélodies
Irene Fuerison:
Les Heures claires, Les Heures d’apres-midi, Les Heures du soir, Op. 50
Nadia Boulanger/Raoul Pugno:
Les Heures claires, Mvts I, III, IV, VI
Marion Bauer:
Four Poems, Op. 16
GRAMMY® Award-winning American soprano Susan Narucki, "one of the great practitioners of contemporary vocal music" (Opera News) presents This Island, a specially curated, unique set of 21 art songs written in the first half of the 20th century, chiefly by women and some receiving their world premiere recordings.
The catalyst for This Island was a line from a collection of letters by Austrian poet Rainer Maria Rilke: “… If you could only be here with me so I could share with you the happiness of these great poems, they would let you realize what we all now need more urgently: that transience is not separation …”
The poems Rilke cites are by Belgian Symbolist Emile Verhaeren, whose poetry – Susan discovered – has been set to music by composers both familiar and virtually unknown, including Nadia Boulanger and her Paris Conservatoire teacher Raoul Pugno, Belgian Irene Fuerison, Dutch Henriette Bosmans and the mysterious Parisian composer Elizabeth Claisse. Susan rounds out the album with songs by American composer and educator Marion Bauer, who studied in Paris and met Boulanger and Pugno, and Dutch composer Henriette Bosmans whose music Susan was familiar with, bringing the project full circle.
Recorded: 3–5 March & 27–29 June 2022, Conrad Prebys Concert Hall, UC San Diego Department of Music, San Diego.
The catalyst for This Island was a line from a collection of letters by Austrian poet Rainer Maria Rilke: “… If you could only be here with me so I could share with you the happiness of these great poems, they would let you realize what we all now need more urgently: that transience is not separation …”
The poems Rilke cites are by Belgian Symbolist Emile Verhaeren, whose poetry – Susan discovered – has been set to music by composers both familiar and virtually unknown, including Nadia Boulanger and her Paris Conservatoire teacher Raoul Pugno, Belgian Irene Fuerison, Dutch Henriette Bosmans and the mysterious Parisian composer Elizabeth Claisse. Susan rounds out the album with songs by American composer and educator Marion Bauer, who studied in Paris and met Boulanger and Pugno, and Dutch composer Henriette Bosmans whose music Susan was familiar with, bringing the project full circle.
Recorded: 3–5 March & 27–29 June 2022, Conrad Prebys Concert Hall, UC San Diego Department of Music, San Diego.