Elisabeth Jacquet De La Guerre:
Overture to Céphale et Procris (1694)

Alfonso Ferrabosco I:
In Nomine a 5 VdGS No. 1

William Byrd:
The Bells BK 38
My Lady Nevell’s Ground BK 57 from My Lady Nevell’s Book of Virginal Music (c. 1591)

Richard Dering:
Fantasia No. 6 (a 5) VdGS No. 2
Fantasia No. 4 (a 5) VdGS No. 1

Leonora Duarte:
Sinfonia No. 5
Sinfonia No. 4
Sinfonia No. 7

Salomone Rossi:
Gagliarda detta La Norsina from Il primo libro delle sinfonie et gagliarde (1607)
Sinfonia a 5 from Il primo libro delle sinfonie et gagliarde
Elohim Hashivenu (Psalm 80)
Sonata undecima detta La Scatola from Il quarto libro de varie sonate, sinfonie, gagliarde, brandi, e correnteper sonar due violini et un chitarrone o altro stromento (1622)

Enric De Paris (‘Enrrique’):
Mi querer tanto vos quiere

Passing Fancy: Beauty in a Moment of Chaos, the AVIE debut by leading New York City early music ensemble Sonnambula, traverses music by several Renaissance composers who were forced to conceal their identities for social, religious or ethnic reasons. Yet their music transcended the disorder surrounding them, flourishing in the intersection of beliefs and styles.

Disruption and displacement wasn’t uncommon in 16th-and 17th-centuries Europe. During the Reformation, creative individuals, including composers, were often forced to conceal their identities – for reasons social, religious, ethnic, racial or otherwise. Yet despite – or perhaps due to – the disorder, musical styles and forms flourished, earning the era it’s Renaissance designation and thus creating “Beauty in a Moment of Chaos”.

Sonnambula, an ensemble of New York City-based early music luminaries, bestow beauty on their AVIE debut, traversing an aural intersection of beliefs with northern and southern European styles. Here is the beauty of William Byrd and Richard Dering, two Catholics composing in Protestant England; of Leonora Duarte, a Portuguese-Jewish woman forced to live as a converso (“New Christian”), in Antwerp, and Parisian Elisabeth Jacquet de La Guerre, whose lost works have re-emerged with a vengeance in our own time; of the Bolognese Alfonso Ferrabosco the elder who emigrated to England, and Salomone Rossi who unusually set Hebrew texts to Western-style polyphony from his relatively tolerant position in the court of Mantua.

The release of Passing Fancy: Beauty in a Moment of Chaos coincides with Sonnambula’s taking up residency at New York City’s newly-renovated premiere museum, The Frick Collection.