Utwory na płycie:

• Mädchenblumen, Op. 22 - No. 1 Kornblumen
• Mädchenblumen, Op. 22 - No. 2 Mohnblumen
• Mädchenblumen, Op. 22 - No. 3 Epheu
• Mädchenblumen, Op. 22 - No. 4 Wasserrose
• 4 Songs, Op. 2 - No. 1 Erwartung
• 4 Songs, Op. 2 - No. 2 Jesus bettelt (Schenk mir deinen goldenen Kamm)
• 4 Songs, Op. 2 - No. 3 Erhebung
• 4 Songs, Op. 2 - No. 4 Waldsonne
• Songs for Voice and Piano Beau Soir (Lyrics: Paul Bourget) L. 84
• Songs for Voice and Piano Clair de Lune (Lyrics: Paul Verlaine) (From: Chansons de jeunes, No. 2) L. 86 (80)
• Ariettes Oubliées L. 60 - No. 1 C'est l'extase langoureuse
• Songs for Voice and Piano Coquetterie Posthume (Lyrics: Pierre-Jules-Théophile Gautier) L. 50 (39)
• Songs for Voice and Piano Romance (Lyrics: Paul Bourget) L. 56 (52)
• Songs for Voice and Piano Apparition (Lyrics: Stéphane Mallarmé) (From: Chansons de jeunesse, No. 4) L. 57 (53)
• Ariettes Oubliées L. 60 - No. 2 Il pleure dans mon cœur comme il pleut sur la ville
• Ariettes Oubliées L. 60 - No. 3 L'ombre des arbres dans la rivière embrumée
• Ariettes Oubliées L. 60 - No. 4 Tournez, tournez, bons chevaux de bois
• Ariettes Oubliées L. 60 - No. 5 Green
• Ariettes Oubliées L. 60 - No. 6 Spleen
• Three poems by Hölderlin for Soprano and Piano - No. 1 Abbitte
• Three poems by Hölderlin for Soprano and Piano - No. 2 Hälfte des Lebens
• Three poems by Hölderlin for Soprano and Piano - No. 3 An Zimmern

Claude Debussy:
Ariettes Oubliées, L. 60 – 6 Songs for Soprano and Piano
Beau Soir, L. 84
Chansons de jeunesse, No. 2 - Clair de Lune, L. 86
Coquetterie Posthume, L. 50
Romance, L. 56
Chansons de jeunesse, No. 4 - Apparition, L. 57

Wolfgang Rihm:
3 Hölderlin Poems for Soprano and Piano

Richard Strauss:
Mädchenblumen, Op. 22 - 4 Songs for Voice and Piano

Arnold Schonberg:
4 Songs, Op. 2

Sheva Tehoval born in Brussels and the daughter of a blues musician, Sheva Tehoval already fell in love with French artsong (mélodie) when she was a teenager. At the age of 18 she moved to Germany, where the study of Lieder inspired her to progress in the German language. Sheva was thus able to refine her mastery of Lied repertoire at the Hochschule für Musik und Tanz in Cologne, then at the Royal Academy of Music in London, with professors such as Christoph Prégardien, Richard Stokes, Julius Drake, Graham Johnson, Michael Gees, and Malcolm Martineau.

Rewarded in numerous singing competitions, Tehoval’s artistry soon started attracting international attention. At age 23 she was the youngest laureate ever of the Queen Elisabeth Competition in Brussels; she garnered further prizes at the German National Music Competition (Deutscher Musikwettbewerb), the SWR Junge Opernstars competition (First Prize), and the Luitpold Advancement Prize at the Kissingen Summer Festival.

Rewarded in numerous singing competitions, Tehoval’s artistry soon started attracting international attention. At age 23 she was the youngest laureate ever of the Queen Elisabeth Competition in Brussels; she garnered further prizes at the German National Music Competition (Deutscher Musikwettbewerb), the SWR Junge Opernstars competition (First Prize), and the Luitpold Advancement Prize at the Kissingen Summer Festival.

Sheva has already performed on many European stages, including the Théâtre de la Monnaie in Brussels, Theater an der Wien in Vienna, the Mariinsky Theatre in Saint Petersburg, the Philharmonie in Cologne, and the Herkulessaal in Munich.

Apart from her success as an opera singer, Sheva has been frequently invited to give vocal recitals at a number of international venues: the Beethovenhaus in Bonn, the Schubertiada in Vilabertrán (Spain), SWR Festival Rheinvokal, the Bad Kissingen Summer Festival, and “Das Lyrische Salon” at Ettersburg Castle near Weimar; her most frequent duo partners at the piano are Christoph Schnackertz and Daniel Heide.

Her interest in a wide gamut of styles is notable, ranging from Classical/Romantic opera and concert repertoire, including the world of artsong and naturally the music of the 20th and 21st centuries. Sheva’s great curiosity to learn new repertoire is the driving force that leads her to embark on innovative musical paths.

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Recording: Südwestrundfunk, I 2020, SWR Studio Kaiserslautern. Piano: Steinway & Sons D