Wydawnictwo: Avi Music
Nr katalogowy: AVI 8553042
Nośnik: 1 CD
Data wydania: marzec 2022
EAN: 4260085530427
Nr katalogowy: AVI 8553042
Nośnik: 1 CD
Data wydania: marzec 2022
EAN: 4260085530427
Nasze kategorie wyszukiwania
Epoka muzyczna: współczesna
Obszar (język): francuski
Instrumenty: klarnet
Rodzaj: kwartet
Epoka muzyczna: współczesna
Obszar (język): francuski
Instrumenty: klarnet
Rodzaj: kwartet
Messiaen: Quatuor pour la fin du temps
Avi Music - AVI 8553042
Kompozytor
Olivier Messiaen (1908-1992)
Olivier Messiaen (1908-1992)
Wykonawcy
Ib Hausmann, clarinet
Amatis Trio:
Lea Hausmann, violin
Samuel Shepherd, cello
Mengjie Han, piano
Ib Hausmann, clarinet
Amatis Trio:
Lea Hausmann, violin
Samuel Shepherd, cello
Mengjie Han, piano
Utwory na płycie:
- Quatuor pour la fin du temps - I. Liturgie de cristal
- Quatuor pour la fin du temps - II. Vocalise, pour l’Ange qui annonce la fin du temps
- Quatuor pour la fin du temps - III. Abîme des oiseaux
- Quatuor pour la fin du temps - IV. Intermède
- Quatuor pour la fin du temps - V. Louange à l`Eternité de Jésus
- Quatuor pour la fin du temps - VI. Danse de la fureur, pour les sept trompettes
- Quatuor pour la fin du temps - VII. Fouillis d’arcs-en-ciel, pour l’Ange qui annonce la fin du temps.
- Quatuor pour la fin du temps - VIII. Louange à l’Immortalité de Jésus
Quatuor pour la fin du temps
for Clarinet, Violin, Cello and Piano (1940/41)
for Clarinet, Violin, Cello and Piano (1940/41)
“The work,” as Messiaen writes, “is directly inspired by the Revelation of St. John. Its musical language is essentially transcendental, spiritual, catholic. Certain modes, realizing a kind of tonal ubiquity in terms of harmony and melody, draw the listener into a sense of the eternity of space or time. Special rhythms, lying outside any sort of measure, contribute significantly toward the banishment of the concept of time.
(However, all this is mere striving and childish stammering if one compares it to the overwhelming greatness of the subject!)
“This quartet contains eight movements. Why? Seven is the perfect number, the creation of six days made holy by the divine Sabbath: the seventh in its repose prolongs itself into eternity and becomes the eighth, of unfailing light, of immutable piece.
“The four performers played on broken-down instruments: Etienne Pasquier’s cello had only three strings, the keys of my upright piano went down but did not always come up again. Our costumes were unbelievable: they rigged me out in a green jacket completely in shreds, and I wore wooden clogs.………….“
(Excerpt from the booklet notes by Ib Hausmann)
Recording: IV 2018, SWR Studio Kaiserslautern
(However, all this is mere striving and childish stammering if one compares it to the overwhelming greatness of the subject!)
“This quartet contains eight movements. Why? Seven is the perfect number, the creation of six days made holy by the divine Sabbath: the seventh in its repose prolongs itself into eternity and becomes the eighth, of unfailing light, of immutable piece.
“The four performers played on broken-down instruments: Etienne Pasquier’s cello had only three strings, the keys of my upright piano went down but did not always come up again. Our costumes were unbelievable: they rigged me out in a green jacket completely in shreds, and I wore wooden clogs.………….“
(Excerpt from the booklet notes by Ib Hausmann)
Recording: IV 2018, SWR Studio Kaiserslautern