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avi8553321
Wydawnictwo: Avi Music
Nr katalogowy: AVI 8553321
Nośnik: 3 CD
Data wydania: maj 2015
EAN: 4260085533213
158,00zł
na zamówienie
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Epoka muzyczna: klasycyzm
Obszar (język): niemiecki
Instrumenty: fortepian
Rodzaj: rondo, fantazja

Beethoven: Complete Piano Pieces

Avi Music - AVI 8553321
Wykonawcy
Tobias Koch, piano
Rondo in C major, WoO 48
Rondo in A major, WoO 49
Pieces for Piano (3), WoO54
Fugue in C major Hess 64
Two Preludes, Op. 39
Rondo in C major, Op. 51 No. 1
Allegretto in C minor,WoO 53
Allegretto in C minor Hess 69
Rondo in G major, Op. 51 No. 2
Rondo a capriccio in G major, Op. 129 ‘Rage over a lost penny'
Prelude in F minor WoO 55
Andante Favori in F, Wo057
Polonaise in C major, Op. 89
Fantasia in G minor, Op. 77
Bagatelles (7), Op. 33
Bagatelles (11), Op. 119
Bagatelles (6), Op. 126
Bagatelle in C minor, WoO52
Bagatelle in C major, WoO56
Für Elise (Bagatelle in A minor, WoO59)
Piano Piece in B flat major WoO 60
Piece for piano in B minor WoO61 for Ferdinand Pringer
Piece in G minor WoO61 For Sarah Payne
Zwei Stücke für Klavier (Orphika) – ‘Leichte Sonate’, WoO51
On this CD, Tobias Koch embarks on a quest for sonorities and instrumental exploration.

On no less than five different historical fortepianos – all exquisitely preserved – he presents the full scope of the art of piano building as it was cultivated in Beethoven’s time. Koch uncovers a unique diversity ranging from the 13-year-old musician’s first attempts at composition to his very last musical thoughts. Meanwhile, the fortepianist also proves that world premiere recordings can still take place in the 21st century. Two pieces are now available for the first time in a performance on the exact instrument for which the composer wrote them: the orphica, a portable keyboard with a captivating, ‘far-off’ sound.

World Premiere included: First recordings on an ORPHICA, a kind of travel piano, which sounds like a Lute from Beethoven’s time, with original pieces composed for the ORPHICA.

This is the first solo orphica recording ever released and is a fascinating recording of this repertoire.

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  • UMFCCD 183
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