Wydawnictwo: Avi Music
Nr katalogowy: AVI 8553473
Nośnik: 1 CD
Data wydania: kwiecień 2020
EAN: 4260085534739
Nr katalogowy: AVI 8553473
Nośnik: 1 CD
Data wydania: kwiecień 2020
EAN: 4260085534739
Brahms: Viola Sonata, Op. 120, Piano Trio, Op. 114
Avi Music - AVI 8553473
Kompozytor
Johannes Brahms (1833-1897)
Johannes Brahms (1833-1897)
Wykonawcy
Andreas Willwohl, viola
Daniel Heide, piano
Isang Enders, cello
Andreas Willwohl, viola
Daniel Heide, piano
Isang Enders, cello
Utwory na płycie:
Trio for Piano, Viola and Cello in A Minor, Op. 114 (1891) - III. Andantino grazioso- Trio for Piano, Viola and Cello in A Minor, Op. 114 (1891) - IV. Allegro
- Sonata for Viola and Piano in F Minor, Op. 120 No. 1 - I. Allegro appassionato
- Sonata for Viola and Piano in F Minor, Op. 120 No. 1 - II. Andante un poco adagio
- Sonata for Viola and Piano in F Minor, Op. 120 No. 1 - III. Allegretto grazioso
- Sonata for Viola and Piano in F Minor, Op. 120 No. 1 - IV. Vivace
- Sonata for Viola and Piano in E flat Major, Op. 120 No. 2 - I. Allegro amabile
- Sonata for Viola and Piano in E flat Major, Op. 120 No. 2 - II. Allegro appassionato
- Sonata for Viola and Piano in E flat Major, Op. 120 No. 2 - III. Andante con moto – Allegro
- Trio for Piano, Viola and Cello in A Minor, Op. 114 (1891) - I. Allegro
- Trio for Piano, Viola and Cello in A Minor, Op. 114 (1891) - II. Adagio
Sonata for Viola and Piano in F Minor, Op. 120 No. 1
Sonata for Viola and Piano in E flat Major, Op. 120 No. 2
Trio for Piano, Viola and Cello in A Minor, Op. 114
Sonata for Viola and Piano in E flat Major, Op. 120 No. 2
Trio for Piano, Viola and Cello in A Minor, Op. 114
The late Brahms
BRAHMS – Viola-Sonatas & Trio
"Brahms’ Sonata in F Minor, Op. 120 was one of the first works Daniel and I played together 22 years ago. We already noted the work’s weighty, intense urgency: with wide interval leaps and abrupt emotional shifts from the onset, it feels like a voyage between continents. The beginning flows like lava; later on, the second theme raises its sweet melody in soft hues, striving toward heaven. Through the years, Daniel and I have explored and played many works by Brahms.
Daniel has gotten to know Brahms’ lieder output particularly well; in my case, I have become quite familiar with the chamber and orchestral music. Each new exploration of a work by Brahms has added something to our insight; our current interpretation of the late sonatas, Op. 120, has profited from that accumulated experience. Thus we have worked through his output from back to front, so to speak.
Brahms’ Sonata in F Minor, Op. 120 was one of the first works Daniel and I played together 22 years ago. We already noted the work’s weighty, intense urgency: with wide interval leaps and abrupt emotional shifts from the onset, it feels like a voyage between continents. The beginning flows like lava; later on, the second theme raises its sweet melody in soft hues, striving toward heaven.
Through the years, Daniel and I have explored and played many works by Brahms. Daniel has gotten to know Brahms’ lieder output particularly well; in my case, I have become quite familiar with the chamber and orchestral music. Each new exploration of a work by Brahms has added something to our insight; our current interpretation of the late sonatas, Op. 120, has profited from that accumulated experience. Thus we have worked through his output from back to front, so to speak..."
Recording: VIII 2016 (Tr. 1-7); VIII 2018 (Tr. 8-11), Fürstensaal, Hochschule für Musik Franz Liszt, Weimar. Andreas Willwohl plays an instrument by Stefan Peter Greiner. Isang Enders plays on a cello made in Paris in 1840 by Jean-Baptiste Vuillaume.
BRAHMS – Viola-Sonatas & Trio
"Brahms’ Sonata in F Minor, Op. 120 was one of the first works Daniel and I played together 22 years ago. We already noted the work’s weighty, intense urgency: with wide interval leaps and abrupt emotional shifts from the onset, it feels like a voyage between continents. The beginning flows like lava; later on, the second theme raises its sweet melody in soft hues, striving toward heaven. Through the years, Daniel and I have explored and played many works by Brahms.
Daniel has gotten to know Brahms’ lieder output particularly well; in my case, I have become quite familiar with the chamber and orchestral music. Each new exploration of a work by Brahms has added something to our insight; our current interpretation of the late sonatas, Op. 120, has profited from that accumulated experience. Thus we have worked through his output from back to front, so to speak.
Brahms’ Sonata in F Minor, Op. 120 was one of the first works Daniel and I played together 22 years ago. We already noted the work’s weighty, intense urgency: with wide interval leaps and abrupt emotional shifts from the onset, it feels like a voyage between continents. The beginning flows like lava; later on, the second theme raises its sweet melody in soft hues, striving toward heaven.
Through the years, Daniel and I have explored and played many works by Brahms. Daniel has gotten to know Brahms’ lieder output particularly well; in my case, I have become quite familiar with the chamber and orchestral music. Each new exploration of a work by Brahms has added something to our insight; our current interpretation of the late sonatas, Op. 120, has profited from that accumulated experience. Thus we have worked through his output from back to front, so to speak..."
Recording: VIII 2016 (Tr. 1-7); VIII 2018 (Tr. 8-11), Fürstensaal, Hochschule für Musik Franz Liszt, Weimar. Andreas Willwohl plays an instrument by Stefan Peter Greiner. Isang Enders plays on a cello made in Paris in 1840 by Jean-Baptiste Vuillaume.
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