Utwory na płycie:

• F.A.E. Sonata, for Violin and Piano - I.
• F.A.E. Sonata, for Violin and Piano - II. Intermezzo. Bewegt, doch nicht zu schnell (Robert Schumann)
• F.A.E. Sonata, for Violin and Piano - III. Scherzo. Allegro (Johannes Brahms)
• F.A.E. Sonata, for Violin and Piano - IV. Finale. Markiertes, ziemlich lebhaftes Tempo (Robert Schumann)
• Variations on The last Rose, for solo Violin
• Three Romances for Violin and Piano, Op. 22 - I. Andante Molto
• Three Romances for Violin and Piano, Op. 22 - II. Allegretto. Mit zartem Vortrage
• Three Romances for Violin and Piano, Op. 22 - III. Leidenschaftlich schnell
• Violinsonata No. 1 in A Minor, Op. 105 - I. Mit leidenschaftlichem Ausdruck
• Violinsonata No. 1 in A Minor, Op. 105 - II. Allegretto
• Violinsonata No. 1 in A Minor, Op. 105 - III. Lebhaft
• Three Romances for Violin and Piano, Op. 94 - I. Nicht schnell. Moderato
• Three Romances for Violin and Piano, Op. 94 - II. Einfach. Innig
• Three Romances for Violin and Piano, Op. 94 - III. Nicht schnell

Clara Schumann:
Three Romances for Violin and Piano, Op. 22

Robert Schumann:
Violinsonata No. 1 in A Minor, Op. 105
Three Romances for Violin and Piano, Op. 94
F.A.E. Sonata, for Violin and Piano

Heinrich Wilhelm Ernst:
Variations on 'The last Rose in summer', for solo Violin

"Are Schumann’s late works the product of a household where a physically and mentally declining composer and his wife, who refused to admit that reality, were living in a stuffy atmosphere? Or was Schumann’s Düsseldorf circle a fruitful terrain that gave rise to magnificent masterpieces because these close, talented friends – Robert Schumann, Clara Schumann, Albert Dietrich, Johannes Brahms, and Joseph Joachim – continually inspired one another?

For this recording, Sophie and I have chosen a programme that attempts to answer those questions. All the chamber music works on this CD are from the period between 1849 and 1854, thus stemming from the Schumanns’ time in Düsseldorf.

The personal and musical connections between Robert Schumann, Clara Schumann, Johannes Brahms, and Joseph Joachim are intrinsically present in all these works. Those biographical relationships are interesting for us as interpreters because they give rise to special moods we can sense in the music. We want to fathom them, to feel them, and to make them palpable for the listener: this is one of the most exciting projects we have ever undertaken as performers.

2021 Florian Glemser

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Recording Location: III 2019, Studio b-sharp, Berlin Pankow / Germany. Piano: Steinway D. Sophie Wang performs on a F. Gagliano violin (1775, Naples).