Egon Kornauth:
Sonata for Clarinet and Piano in F Minor, Op. 5

Alban Berg:
Four Pieces, Op. 5, for Clarinet and Piano

Johannes Brahms:
Sonata for Clarinet and Piano No. 1 in F Minor, Op. 120

Erich Wolfgang Korngold:
Liebesbriefchen, Op. 9 No. 4 (arr. Kilian Herold)
Sterbelied, Op. 14 No. 1 (arr. Kilian Herold)

The years 1900-1914 were perhaps the most thrilling period in European music history: the cradle of what we now call musical Modernism. This was the time when the great “avant-garde schools” took shape: in Paris, Berlin, Saint Petersburg, and particularly in Vienna. Music branched out into a multitude of aesthetics, styles, and genres, as we can see in in the variety of terms that attempt to describe art in that period: Impressionism, Expressionism, Art Nouveau, Neo-Classicism, Foklorism, Late Romanticism, Symbolism, and others.

Our programme selection for this CD focuses on two works written in Vienna in 1913 – the “summer of the century”, as author Florian Illies calls a pivotal year that put an end to the long 19th century and introduced the somber 20th century.

The two works are Alban Berg’s Four Pieces for Clarinet and Piano op. 5 and Egon Kornauth’s Sonata for Clarinet and Piano. 1913 was the year of several “scandalous” premieres: Schoenberg’s Gurrelieder, Berg’s Altenberglieder, Stravinsky’s Rite of Spring, and others that were less scandalous: Debussy’s Images pour Orchestre, Max Reger’s Isle of the Dead, Sibelius’s Luonnotar, de Falla’s La vida breve, and Richard Strauss‘s Festliches Präludium.

(Excerpt from the liner notes by Ludwig Holtmeier)

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Recording: Hans-Rosbaud-Studio Baden-Baden, XI 2020 (Kornauth & Korngold), XII 2020 (Brahms & Berg).