Utwory na płycie:

• 1 Konzert für Klavier und Orchester Nr. 9 Es-Dur KV 271 _Jeunehomme-Konzert_ - 1. Allegro.mp3
• 1 Konzert für Klavier und Orchester Nr. 9 Es-Dur KV 271 "Jeunehomme-Konzert" - 1. Allegro.mp3
• 2 Konzert für Klavier und Orchester Nr. 9 Es-Dur KV 271 _Jeunehomme-Konzert_ - 2. Andantino.mp3
• 2 Konzert für Klavier und Orchester Nr. 9 Es-Dur KV 271 "Jeunehomme-Konzert" - 2. Andantino.mp3
• 3 Konzert für Klavier und Orchester Nr. 9 Es-Dur KV 271 _Jeunehomme-Konzert_ - 3. Rondeau_ Presto.mp3
• 3 Konzert für Klavier und Orchester Nr. 9 Es-Dur KV 271 "Jeunehomme-Konzert" - 3. Rondeau: Presto.mp3
• 4 Konzert für Klavier und Orchester Nr. 12 A-Dur KV 414 (385p) - 1. Allegro.mp3
• 5 Konzert für Klavier und Orchester Nr. 12 A-Dur KV 414 (385p) - 2. Andante.mp3
• 6 Konzert für Klavier und Orchester Nr. 12 A-Dur KV 414 (385p) - 3. Rondeau_ Allegretto.mp3
• 6 Konzert für Klavier und Orchester Nr. 12 A-Dur KV 414 (385p) - 3. Rondeau: Allegretto.mp3

Piano Concerto No.9 in E flat major, K 271 ‘Jenamy’ [‘Jeunehomme’]
Piano Concerto No.12 in A major, K 414
Rondo in A major, K 386

To a unique degree, Ronald Brautigam has managed to combine highly successful careers as a performer on both the fortepiano and the modern piano. With close to fifty released CDs on BIS, his discography testifies to this, including complete cycles on fortepiano of the solo piano music by Mozart and Haydn, but also four recent discs of Beethoven’s piano concertos played on a modern Steinway. The present disc is the first in a projected series of Mozart’s piano concertos, for which Brautigam returns to the fortepiano – a copy of a 1795 instrument by Anton Walter – and is joined by the experienced period band Die Kölner Akademie conducted by Michael Alexander Willens. The programme includes one of Mozart’s earliest master-pieces, the ‘Jenamy’ Concerto (previously known as ‘Jeunehomme’) composed in 1777 before he had moved from Salzburg to Vienna. This is followed by Piano Concerto No.12 in A major, K 414, one of the first Vienna concertos, and a Rondo for piano and orchestra from the same period. Ronald Brautigam’s ongoing series of Beethoven’s music for piano solo has been met with great acclaim, but his earlier traversal of Mozart’s sonatas and variation were equally well-received, as witness the following quote from a review in Gramophone upon the release of it as a boxed set: ‘Brautigam's imaginative interpretations capture Mozart's many moods, from the galant style of the six earliest sonatas to the aching drama of the A minor (K310).