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Wydawnictwo: Bis
Nr katalogowy: BISSACD 1863
Nośnik: 1 SACD
Data wydania: październik 2011
EAN: 7318599918631
na zamówienie
Nasze kategorie wyszukiwania

Epoka muzyczna: 20 wiek do 1960, romantyzm
Obszar (język): angielski (USA), niemiecki, polski
Instrumenty: klarnet
Rodzaj: koncert

SACDHybrydowy format płyty umożliwia odtwarzanie w napędach CD!

Brahms / Copland / Lutosławski: Martin Fröst – Dances to a Black Pipe

Bis - BISSACD 1863
Martin Fröst, clarinet
Australian Chamber Orchestra / Richard Tognetti
Nagrody i rekomendacje
ICMA Awards MusicWeb Recording of the Month IRR Outstanding
Aaron Copland:
Concerto for Clarinet and String Orchestra with Harp and Piano (including also alternative version of the end of the work in its original version)
Johannes Brahms:
(arr. Göran Fröst) Hungarian Dances Nos 1, 12, 13 & 21
Göran Fröst:
Klezmer Dances for clarinet and strings
Witold Lutosławski:
Dance Preludes (2nd version)
Ástor Piazzolla:
Oblivion for clarinet, solo violin and strings
Anders Hillborg:
Peacock Tales, chamber version for clarinet solo, piano and strings
Fredrik Högberg:
Dancing with Silent Purpose for clarinet, strings and tape
Martin Fröst isn’t just one of the major clarinettists of our time – he is also an intrepid adventurer who challenges conventional notions of how classical music should be presented in the concert hall. He has played Bach-Gounod’s Ave Maria while doing figures-of-eight on roller-skates, performed the part of dancing soloist (wearing a bird’s mask) in Anders Hillborg’s clarinet concerto Peacock Tales, and is constantly giving new proof of his curiosity when it comes to repertoire that defies genres. True to form, he here presents, with the internationally acclaimed Australian Chamber Orchestra, a wide-ranging selection of works which are all related to dance. Hillborg has made a chamber version, previously unrecorded, of his acclaimed concerto, while his colleague Fredrik Högberg has composed Dancing with Silent Purpose, a work which in concert is performed against a back-drop projection of a choreographic video. Göran Fröst, the brother of the soloist, has arranged a selection of Brahms’ ever-popular Hungarian Dances for clarinet and strings, and has also composed Klezmer Dances, with elements of Eastern European klezmer music. These Swedish composers are joined by international masters such as Lutosławski, who based his Dance Preludes on rhythms from Polish folk music, and Aaron Copland, whose Clarinet Concerto was composed for Benny Goodman, ‘the King of Swing’. Not forgetting the great Latin American dance tradition, Martin Fröst also performs the infinitely expressive Oblivion by the giant of modern tango, Astor Piazzolla.

Zobacz także:

  • RCD 1079
  • AVI 8553513
  • PTC 5186986
  • ONYX 4223
  • SIGCD 2008
  • GCCD 4088
  • AV 2458
  • SIGCD 2033