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Wydawnictwo: Bis
Nr katalogowy: BISSACD 2063
Nośnik: 1 SACD
Data wydania: kwiecień 2014
EAN: 7318599920634
na zamówienie
Nasze kategorie wyszukiwania

Epoka muzyczna: romantyzm
Obszar (język): niemiecki
Instrumenty: klarnet
Rodzaj: kwintet, trio

SACDHybrydowy format płyty umożliwia odtwarzanie w napędach CD!

Brahms: Martin Fröst plays Brahms

Bis - BISSACD 2063
Martin Fröst, clarinet
Janine Jansen & Boris Brovtsyn, violins
Maxim Rysanov, viola
Torleif Thedéen, cello
Roland Pöntinen, piano
Nagrody i rekomendacje
Gramophone Awards Presto Discs of the Year Diapason 5 Gramophone Editor's Choice
Johannes Brahms:
Clarinet Quintet in B minor, Op.115
Clarinet Trio in A minor, Op.114
Six Songs for clarinet and piano (arr. Fröst):
Die Mainacht
Immer leiser wird mein Schlummer
Wie Melodien zieht es mir
Vergebliches Ständchen
Johannes Brahms’s Clarinet Quintet is core repertoire, not just for clarinettists but also in the entire chamber music genre. As such, it has been on Martin Fröst’s ‘to-be-recorded list’ for a long time, and when he gathered a dream-team of string players for a concert in Stockholm in February 2013, it was the perfect opportunity for BIS to organize a recording session. Brahms’s Quintet was written in 1891 by a composer who only a year previously had renounced composing, but whose creative urge had been reawakened by his encounter with the leading clarinettist of the time, Richard Mühlfeld. Some 120 years later, Fröst – one of today’s most highly regarded musicians and the recipient of the 2014 Sonning Prize – steps into Mühlfeld’s shoes, in the company of Janine Jansen, Boris Brovtsyn, Maxim Rysanov and Torleif Thedéen. As a complement to this substantial work – with a duration of almost 35 minutes – Martin Fröst has transcribed six much-loved songs by Brahms, performing them with his chamber music partner of long standing, the eminent pianist Roland Pöntinen. The songs, composed between 1866-1886, range from high lyricism (Die Mainacht) to bitter-sweet nostalgia (Wie Melodien…), via the humourous Vergebliches Ständchen. To these new recordings has been added a substantial ‘bonus’ – Martin Fröst’s performance with Pöntinen and Thedéen of the Trio for clarinet, cello and piano, which Brahms composed for Mühlfeld in the same year as the quintet. Originally released in 2005, the recording of the Trio received a warm welcome, including an Editor’s Choice in Gramophone, as well as a ‘Disc of the Month’ on website ClassicsToday.com.

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