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Wydawnictwo: Bis
Nr katalogowy: BISSACD 2141
Nośnik: 1 SACD
Data wydania: styczeń 2016
EAN: 7318599921419
na zamówienie
Nasze kategorie wyszukiwania

Epoka muzyczna: klasycyzm, romantyzm
Obszar (język): niemiecki
Instrumenty: fagot, klarnet
Rodzaj: kwartet, kwintet

SACDHybrydowy format płyty umożliwia odtwarzanie w napędach CD!

Berwald / du Puy: A Bassoon in Stockholm…

Bis - BISSACD 2141
Donna Agrell, bassoon
Lorenzo Coppola, clarinet
Marc Destrubé & Franc Polman, violins
Yoshiko Morita, viola
Albert Brüggen, cello
Robert Franenberg, double bass
Ronald Brautigam, fortepiano
Nagrody i rekomendacje
Klassik.com EDR SA-CD.net 5 Stars
Franz Berwald:
Septet in B flat major for clarinet, horn, bassoon, violin, viola, cello and double bass
Quartet in E flat major for piano, clarinet, horn and bassoon

Édouard Du Puy:
Quintet in A minor for bassoon and strings
In the mid-1980s, Donna Agrell acquired a rare Grenser & Wiesner bassoon, built in Dresden sometime around 1820. She has been using it for more than 1,500 performances since then, many of them with the Orchestra of the Eighteenth Century, of which she has been a member since it was founded. The bassoon came in its original case, with an address label indicating that the instrument had been delivered to Stockholm. Further research into the Stockholm music scene during the early 19th century revealed that instruments from Grenser & Wiesner were popular in Sweden. One who swore by his bassoon from the company was Frans Preumayr, a musician of German origin who played in the orchestra of the Royal Opera, but also made a name for himself abroad as a bassoon virtuoso, garnering praise in London and on the continent. Such a gifted player naturally inspired composers to write for him, and these included his father-in-law, the clarinet virtuoso Berhard Henrik Crusell, the flamboyant music director at the Stockholm opera, Édouard Du Puy, and a young Franz Berwald, employed among the strings of the opera orchestra. For the present recording Donna Agrell has chosen three chamber works which were all premiered with Preumayr on the bassoon. She is joined by colleagues from the Orchestra of the Eighteenth Century as well as by Ronald Brautigam – all of them playing period instruments – in Berwald's celebrated Septet in B flat major and the less well-known Quartet for piano and winds, and in Du Puy's Quintet for bassoon and strings.

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