koszyk0 sztuk  
user Zaloguj
Zapowiedźbissacd2382
Back cover pokaż tył okładki

Wydawnictwo: Bis
Nr katalogowy: BISSACD 2382
Nośnik: 1 SACD
Data wydania: grudzień 2018
EAN: 7318599923826
54,00zł
na zamówienie
Zamów
Nasze kategorie wyszukiwania

Epoka muzyczna: romantyzm
Obszar (język): czeski, niemiecki, polski
Instrumenty: skrzypce, fortepian


SACDHybrydowy format płyty umożliwia odtwarzanie w napędach CD!

Kreisler / Dvorak / Wieniawski: Salut d’amour - violin favourites

Bis - BISSACD 2382
Kompozytor
Fritz Kreisler (1875-1962)
Antonin Dvorak (1841-1904)
Henryk Wieniawski (1835-1880)
Pablo de Sarasate, Edward Elgar, Nathan Milstein, Pyotr Ilyich Tchaikovsky, Sergei Rachmaninov, Manuel de Falla, Edwin Grasse, Heinrich Wilhelm Ernst, Johannes Brahms
Wykonawcy
Sueye Park, violin
Love Derwinger, piano
Pablo de Sarasate:
Introduction et Tarantelle

Edward Elgar:
Salut d’amour

Fritz Kreisler:
La Gitana
Tambourin chinois

Antonín Dvorák:
Songs My Mother Taught Me

Nathan Milstein:
Paganiniana (Variations) for violin solo

Pyotr Ilyich Tchaikovsky:
Souvenir d’un lieu cher - Mélodie

Henryk Wieniawski:
Scherzo-Tarantelle

Sergei Rachmaninov:
Vocalise

Manuel de Falla:
La vida breve - Danse espagnole

Edwin Grasse:
Wellenspiel

Heinrich Wilhelm Ernst:
Die letzte Rose

Johannes Brahms:
Contemplation (Wie Melodien zieht es mir)
SueyeParkintroduced herself to the general public in 2017 with no less a calling-card than Paganini’s 24 Caprices for solo violin. On the present disc, the South-Korean violinist (born in 2000) has a pianist at her side, namely Love Derwinger, himself known from a number of recordings. The repertoire is also a more varied offering this time, with violin favourites such as Elgar’s tender Salutd’amourand Tchaikovsky’s Mélodie, as well as more virtuosic fare, for instance in the fireworks of Wieniawski’s Scherzo-Tarantelle.

Sueyealso includes two solo works on the disc: Ernst’s much-loved Last Roseand – in a nod to her previous disc – Paganiniana, Nathan Milstein’s fantasy on themes by Paganini. Performed with equal measures of poetic sensitivity and effortless virtuosity, this is a recital to dip into as well as to listen to from start to finish – from the fiery passion of Pablo de Sarasate’s Introduction et Tarantelleto Contemplation, Heifetz’ transcription of Brahms’s song Wie Melodienzieht es mir.

Recording: August 2017 at Studio Acusticum, Pitea, Sweden. Instrumentarium: Violin: Ferdinando Gagliano, Naples 1758; Grand Piano: Steinway D.

Zobacz także:

  • LAW 022
  • BIS 1196
  • C 048831
  • PACD 96058
  • KTC 1629
  • AUDITE 95646
  • AN 28873
  • AVI 8553404
  • ALC 4005
  • RCD 1023