koszyk0 sztuk  
user Zaloguj
bissacd2630
Back cover pokaż tył okładki

Wydawnictwo: Bis
Nr katalogowy: BISSACD 2630
Nośnik: 1 SACD
Data wydania: maj 2022
EAN: 7318599926308
60,00zł
na zamówienie
Zamów
Nasze kategorie wyszukiwania

Epoka muzyczna: 20 wiek do 1960
Obszar (język): grecki, węgierski, rumuński
Instrumenty: fortepian
Rodzaj: sonata

SACDHybrydowy format płyty umożliwia odtwarzanie w napędach CD!

Bartok / Mitropoulos / Enescu: Without Borders

Bis - BISSACD 2630
Wykonawcy
Can Çakmur, piano
Nagrody i rekomendacje
 
Diapason 5 Pizzicato Supersonic
 
Béla Bartók:
Piano Sonata, Sz. 80

Dimitri Mitropoulos:
Passacaglia, Intermezzo e Fuga

Ahmed Adnan Saygun:
Piano Sonata, Op. 76

George Enescu:
Piano Sonata No. 3 in D major, Op. 24 No. 3
Towards the end of the 19th century, ´several composers were taking a new interest in folk music. Folk tunes, or imitations of them, had previously mainly been used in order to provide ‘local colour’ or as a way of catering to nationalist sentiments, but it was now seen as a means to revitalize art music itself, opening up for new possibilities in terms of rhythm and harmony as well as melody. At the forefront of this development was Béla Bartók, who also considered the use of folk elements as a tool to transcend boundaries – to achieve a ‘brotherhood of peoples’.

For his new recital disc, Can Çakmur has devised a programme which juxtaposes four composers’ different responses to folk music. Bartók’s Piano Sonata is followed by Passacaglia, Intermezzo e Fuga with which Dimitri Mitropoulos made a clean break with earlier works in a more nationalistic vein. Next comes Çakmur’s compatriot, the Turkish composer Ahmed Adnan Saygun, who in 1936 accompanied Bartók on a field trip in Turkey collecting music. His Piano Sonata was composed some fifty years later, however, and refers to folk music primarily on a theoretical level. Closing the disc is George Enescu’s Piano Sonata No. 3 in D major, which Çakmur in his own liner notes describes as ‘radiating a natural affinity for the village, without sacrificing the compositional value of the work.’

Recording: 17th 20th May 2021 at Tonstudio Tessmar, Hanover, Germany. Recorded on a Shigeru Kawai SK-EX Concert Grand Piano.

Zobacz także:

  • PROSP 0041
  • BR 100416
  • HC 21060