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c97012
Wydawnictwo: Cantus
Seria: Mirror Collection 2 CDs x 1
Nr katalogowy: C 9701/2
Nośnik: 2 CD
Data wydania: styczeń 2014
EAN: 8424619697017
82,00 zł
49,00 zł
w magazynie
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Epoka muzyczna: barok
Obszar (język): niemiecki
Rodzaj: sonata, trio

Telemann / Bach JS: Sonatas & trios

Cantus - C 9701/2
Wykonawcy
Lorenzo Cavasanti, recorders and traverso
Caroline Boersma, violoncello
Sergio Ciomei, harpsichord and organ
Mario Martinoli, continuo harpsichord
Disc 1:
1. Sonata for recorder & continuo in C major (Essercizii Musici No. 10/19), TWV 41:C5 - Adagio - Allegro - Adagio - Allegro
2. Sonata for recorder & continuo in C major (Essercizii Musici No. 10/19), TWV 41:C5 - Larghetto
3. Sonata for recorder & continuo in C major (Essercizii Musici No. 10/19), TWV 41:C5 - Vivace
4. Trio for flute, harpsichord & continuo in A major (Essercizzi Musici No. 4/8), TWV 42:A6 - Largo
5. Trio for flute, harpsichord & continuo in A major (Essercizzi Musici No. 4/8), TWV 42:A6 - Allegro
6. Trio for flute, harpsichord & continuo in A major (Essercizzi Musici No. 4/8), TWV 42:A6 - Largo
7. Trio for flute, harpsichord & continuo in A major (Essercizzi Musici No. 4/8), TWV 42:A6 - Vivace
8. Sonata for recorder & continuo in D minor (Essercizii Musici No. 4/7), TWV 41:d4 - I. Affettuoso
9. Sonata for recorder & continuo in D minor (Essercizii Musici No. 4/7), TWV 41:d4 - II. Presto
10. Sonata for recorder & continuo in D minor (Essercizii Musici No. 4/7), TWV 41:d4 - III. Grave
11. Sonata for recorder & continuo in D minor (Essercizii Musici No. 4/7), TWV 41:d4 - IV. Allegro
12. Sonata for bassoon (or recorder) & continuo in F minor (GMM No. 36), TWV 41:f1 - I. Triste
13. Sonata for bassoon (or recorder) & continuo in F minor (GMM No. 36), TWV 41:f1 - II. Allegro
14. Sonata for bassoon (or recorder) & continuo in F minor (GMM No. 36), TWV 41:f1 - III. Andante
15. Sonata for bassoon (or recorder) & continuo in F minor (GMM No. 36), TWV 41:f1 - IV. Vivace
16. Trio for recorder, harpsichord & continuo in B flat major (Essercizii Musici No. 8/16), TWV42:B4 - Dolce
17. Trio for recorder, harpsichord & continuo in B flat major (Essercizii Musici No. 8/16), TWV42:B4 - Vivace
18. Trio for recorder, harpsichord & continuo in B flat major (Essercizii Musici No. 8/16), TWV42:B4 - Siciliana (sol mineur)
19. Trio for recorder, harpsichord & continuo in B flat major (Essercizii Musici No. 8/16), TWV42:B4 - Vivace
20. Sonata for recorder & continuo in C major (GMM No. 56), TWV 41:C2 - Cantabile
21. Sonata for recorder & continuo in C major (GMM No. 56), TWV 41:C2 - Allegro
22. Sonata for recorder & continuo in C major (GMM No. 56), TWV 41:C2 - Grave
23. Sonata for recorder & continuo in C major (GMM No. 56), TWV 41:C2 - Vivace

Disc 2:
1. Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1) - Allegro moderato
2. Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1) - Adagio
3. Trio Sonata for organ No. 1 in E flat major, BWV 525 (BC J1) - Allegro
4. Trio Sonata for organ No. 5 in C major, BWV 529 (BC J5) - Allegro
5. Trio Sonata for organ No. 5 in C major, BWV 529 (BC J5) - Largo
6. Trio Sonata for organ No. 5 in C major, BWV 529 (BC J5) - Allegro
7. Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2) - Vivace
8. Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2) - Largo
9. Trio Sonata for organ No. 2 in C minor, BWV 526 (BC J2) - Allegro
10. Partita for lute in C minor, BWV 997 (BC L170)
11. Partita for lute in C minor, BWV 997 (BC L170)
12. Partita for lute in C minor, BWV 997 (BC L170)
13. Partita for lute in C minor, BWV 997 (BC L170)
In this first volume of The Mirror Collection we want to look for contrasts and similarities in the works of two of the greatest geniuses of the Baroque period. From Telemann we have chosen his favourite repertoire: chamber music, extraordinarily idiomatic, composed with a complete understanding of the technical and textural possibilities of the instruments chosen. From Bach, we present music that we cannot be sure whether it was created specifically for one instrument or group of instruments. It is a contrast, then, between Telemann’s idiomatic music and domestic aspirations and Bach’s intimate musical exercise. They show us two quite different (but complementary) images of Baroque creativity. It is worth being illuminated by their reflection.

Four outstanding soloists form Tripla Concordia in this recording. They belong to the young Italian generation of virtuoso musicians that have rediscovered the Baroque performance thanks to their expressive and passionate vision of the music, a fact made plain when listening to their colourful and inventive renderings of this marvellous works. The Bach pieces (BWV 526, 526, 529 and 997) are given chamber music performances, with recorder or traverso in combination with harpsichord or organ, throwing new light about their true nature and origins as music very possibly composed for two obbligato instruments.

Recorded at Montevarchi (Italy), January 1996

Zobacz także:

  • GLO 5267
  • PAS 1034
  • SIGCD 544
  • GEN 18498
  • KTC 1578
  • AN 29156
  • CAR 83486
  • ACD 22744
  • GEN 18492
  • OC 018