de Bailly:
Yo soy la locura

Blanch:
Tarantela & Canarios

de Briceno:
Ay, amor loco

Battista Vitali:
Glosa en canon sobre el Passa Galli de Vitali

Cabezon:
Diferencias sobre el canto llano del cavallero

Mudarra:
Glosa e improvisación sobre Conde Claros

Marin:
Nina, como en tus mudanzas

Mateo Flecha the Elder:
La Negrina Florida estava la rosa

The rise and splendour of the Spanish Empire in the 16th and 17th centuries spread Spain’s cultural wealth and diversity far and wide, embracing musical traditions whose roots mixed Christian, Muslim, Jewish and American influences. This transformed cultural and musical fashions throughout Europe. The original scores were basic skeletons, to which the musicians added a plethora of personal interpretation: arrangements, glosses and a world of ornamentation. Accademia del Piacere and Fahmi Alqhai have spent years working on this Spanish approach in order to revive this spirit through improvisation, bringing this music back to life.