
Wydawnictwo: Challenge Classics
Nr katalogowy: CC 72669
Nośnik: 1 SACD
Data wydania: marzec 2015
EAN: 608917266924
Nr katalogowy: CC 72669
Nośnik: 1 SACD
Data wydania: marzec 2015
EAN: 608917266924
Telemann: Les Nations - Ouvertures & Oboe Concerti
Challenge Classics - CC 72669
Kompozytor
Georg Philip Telemann (1681-1767)
Georg Philip Telemann (1681-1767)
Wykonawcy
Vinciane Baudhuin, oboe
Bach Concentus / Ewald Demeyere
Vinciane Baudhuin, oboe
Bach Concentus / Ewald Demeyere
Utwory na płycie:
Ouverture
Menuet 1 & 2
Les Allemands anciens
Les Allemands modernes
Les Suedois anciens
Les Suedois modernes
Les Danois anciens
Les Danois modernes
Les vieilles femmes
Adagio
Allegro
Adagio
Allegro
Ouverture
Sicilienne
Angloise
Musette
Bateliere
Polonoise
Menuet 1 & 2
Adagio
Allegro
Adagio
Allegro
Ouverture
Menuet 1 & 2
Les Turcs
Les Suisses
Les Moscovites
Les Portugais
Les Boiteux & Les Coureurs
Ouverture des Nations anciens et modernes in G major TWV 55:G4
Oboe Concerto in C minor TWV 51:c2
Overture La Gaillarde in D major TWV 55:D13
Oboe Concerto in C minor TWV 51:c1
Völker-Ouverture in B flat major TWV 55:B5;
Oboe Concerto in C minor TWV 51:c2
Overture La Gaillarde in D major TWV 55:D13
Oboe Concerto in C minor TWV 51:c1
Völker-Ouverture in B flat major TWV 55:B5;
As few other composers, Georg Philipp Telemann (1681-1767) successfully drew on all the national styles and prevailing genres of his time in creating his enormous body of work, for which he received immediate acclaim: in Telemann we encounter one of the most versatile composers of the first half of the 18th century.
In an instalment of his much talked-of periodical ‘Der Critische Musicus’, which was published in 1745, Johann Adolph Scheibe expressed his surprise and admiration about the fact “that Telemann practises almost all musical genres and national styles with the same ease and eloquence, without confusing or corrupting his taste in the least.” In the oboe concertos and orchestral suites Telemann does indeed deploy, to his heart’s content, an entire wardrobe-full of different (dance) costumes for his playful encounters with (other) nations, yet he never stoops to tackiness. It is this gift that sets him apart from his contemporaries and makes him such a fascinating figure among the protagonists who shaped the landscape of our musical history.
In an instalment of his much talked-of periodical ‘Der Critische Musicus’, which was published in 1745, Johann Adolph Scheibe expressed his surprise and admiration about the fact “that Telemann practises almost all musical genres and national styles with the same ease and eloquence, without confusing or corrupting his taste in the least.” In the oboe concertos and orchestral suites Telemann does indeed deploy, to his heart’s content, an entire wardrobe-full of different (dance) costumes for his playful encounters with (other) nations, yet he never stoops to tackiness. It is this gift that sets him apart from his contemporaries and makes him such a fascinating figure among the protagonists who shaped the landscape of our musical history.