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Wydawnictwo: Sterling
Nr katalogowy: CDA 1832/33-2
Nośnik: 2 CD
Data wydania: lipiec 2019
EAN: 7393338183228
80,00zł
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The Art of Singing, Vol. 3

Sterling - CDA 1832/33-2
Kompozytor

Verdi, Mendelssohn, Mozart, Handel, Bach, Schubert, Grieg, Söderström, Adam, Reger, Wade, Frescobaldi, Gluck, Rossini, Bizet, Haydn, Berlioz, Nystroem, Bononcini, Caccini, Copland, Beach, Coates
Wykonawcy
Lars Bjorling, tenor
Harry Ebert, piano
Brita Lingell, piano
Lilian Carlsson, piano
Anouchka Mukherjee, piano
Carl-Otto Erasmie, piano
Ulf Wesslen, piano, organ
Giuseppe Verdi:
Requiem - Ingemisco
Il tramonto

Felix Mendelssohn:
Ye people, rend your hearts

Wolfgang Amadeus Mozart:
Ave verum corpus, K618

George Friedrich Handel:
Messiah - Comfort ye my people and Ev'ry valley shall be exalted
Xerxes - Ombra mai fu
Jephtha - Waft her, angels, through the skies
Atalanta - Care selve
Semele - Where'er you walk

Johann Sebastian Bach:
St Matthew Passion - Ich will bei meinem Jesu wachen, BWV244

Franz Schubert:
Ave Maria, D839
Erlkönig, D328
Heidenröslein, D257
Litanei auf das Fest Allerseelen, D343
Der Hirt auf dem Felsen, D965

Edward Grieg:
Album for Mannsang No.10 - Den store, hvide flok vi se, Op.30

Nils B. Soderstrom:
Herren är min herde

Adolphe Adam:
O Holy Night

Max Reger:
Mariä Wiegenlied, Op.76 No.52

John Francis Wade:
O come, all ye faithful

Girolamo Frescobaldi:
Voi partite mio sole
Non mi negate ohime

Christoph Willibald Gluck:
Paride ed Elena - O del mio dolce ardor

Gioacchino Rossini:
Stabat Mater - Cujus animam gementem

Georges Bizet:
Agnus Dei

Joseph Haydn:
O Tuneful Voice, Hob. XXVIa:42
The Wanderer, Hob. XXVIa:32
Piercing Eyes, Hob. XXVIa:35

Hector Berlioz:
Paride ed Elena - Villanelle, Op.7
Paride ed Elena - Le Spectre de la rose, Op.7
Les Nuits d'été - L'Île inconnue

Gustaf Nystroem:
Sanger vid havet (Songs by the Sea)

Giovanni Battista Bononcini:
Griselda - Per la gloria d'adorarvi

Giulio Caccini:
Amarilli mia bella

Aron Copland:
Long Time Ago

Amy Beach:
Ah, Love, but a day!, Op.44, No.2

Eric Coates:
I heard you singing
When my Father Jussi was chosen as the 20th century’s leading male opera singer by English music critics at the turn of the century, we felt great joy and pride in the family. From my very early age I experienced singing and music at home, but most of all, I remember visiting the Opera house when Father sang. A strong memory was La boheme. I tried to hide my tears trickling down the cheek in the last act. Usually it was very exciting to sit in the orchestra seats and keep up with everything that happened on stage. Everyone wore make-up and strange costumes, but as soon as Father began to sing, I recognized him. It was easy. He sounded ‘different’ than the rest of the ensemble. My Father was in his early 30s and had then been singing for 25 years. Already at the age of four to five, my Father and his brothers began to learn the essentials of the art of singing under my grandfather David’s solid guidance.

I have spent a great deal of my life exploring the secrets of the Italian bel canto, conveyed by David and my Father, and I have reached the conclusion that there are no secrets; it is just the natural voice that has to be heard, free from settings and so-called tone formation. There is only one problem; it takes time. Manipulation of the voice in different ways to achieve quick results is doomed to fail. If I can contribute to pass the Björling singing tradition on to future generations of singers, I will be more than pleased. [Lars Björling]

Recorded 1975-2018.

Zobacz także:

  • KTC 1626
  • KTC 1625
  • CHAN 10994
  • AVI 8553411
  • GEN 19640
  • GEN 19554
  • ADW 7583
  • EPRC 029
  • CAR 2104/99
  • QTZ 2132