Nasze kategorie wyszukiwania
Epoka muzyczna: 20 wiek do 1960
Obszar (język): rosyjski
Instrumenty: fortepian
Epoka muzyczna: 20 wiek do 1960
Obszar (język): rosyjski
Instrumenty: fortepian
Shostakovich: Preludes And Fugues
Hyperion - CDA 66441/3
Kompozytor
Dmitri Shostakovich (1906-1975)
Dmitri Shostakovich (1906-1975)
Wykonawcy
Tatiana Nikolayeva, piano
Tatiana Nikolayeva, piano
Utwory na płycie:
- Shostakovich: 24 Preludes and Fugues, Op. 87 - #01 in C: 1. Prelude
- Shostakovich: 24 Preludes and Fugues, Op. 87 - #01 in C: 2. Fugue
- Shostakovich: 24 Preludes and Fugues, Op. 87 - #02 in A minor: 1. Prelude
- Shostakovich: 24 Preludes and Fugues, Op. 87 - #02 in A minor: 2. Fugue
- Shostakovich: 24 Preludes and Fugues, Op. 87 - #03 in G: 1. Prelude
- Shostakovich: 24 Preludes and Fugues, Op. 87 - #03 in G: 2. Fugue
- Shostakovich: 24 Preludes and Fugues, Op. 87 - #04 in E minor: 1. Prelude
- Shostakovich: 24 Preludes and Fugues, Op. 87 - #04 in E minor: 2. Fugue
- Shostakovich: 24 Preludes and Fugues, Op. 87 - #05 in D: 1. Prelude
- Shostakovich: 24 Preludes and Fugues, Op. 87 - #05 in D: 2. Fugue
- Shostakovich: 24 Preludes and Fugues, Op. 87 - #06 in B minor: 1. Prelude
- Shostakovich: 24 Preludes and Fugues, Op. 87 - #06 in B minor: 2. Fugue
- Shostakovich: 24 Preludes and Fugues, Op. 87 - #07 in A: 1. Prelude
- Shostakovich: 24 Preludes and Fugues, Op. 87 - #08 in F sharp minor: 1. Prelude
- Shostakovich: 24 Preludes and Fugues, Op. 87 - #08 in F sharp minor: 2. Fugue
- Shostakovich: 24 Preludes and Fugues, Op. 87 - #09 in E: 1. Prelude
- Shostakovich: 24 Preludes and Fugues, Op. 87 - #09 in E: 2. Fugue
- Shostakovich: 24 Preludes and Fugues, Op.
- Track 20
GRAMOPHONE AWARD WINNER ; PRIX MAURICE FLEURET, FRANCE ; CLASSIC CD TOP 100 CDs OF ALL TIME
'The record that has given me greater pleasure than any other this year' (The Sunday Times)
'A performing document of inestimable importance ... Hyperion should be congratulated for masterminding this important issue' (CDReview)
'The recording is clear and atmospheric, and the playing has power, grandeur, character, intellectual clarity and unforced intensity' (Gramophone)
'This magnificent set courageously undertaken by Hyperion, a timely document of an interpretation fashioned from Nikolayeva's collaboration with the composer at the time of composition' (BBC Music Magazine Top 1000 CDs Guide)
'Performances which are at once gripping through their pianistic brilliancs and illuminating through their unflinching perception. Amazing' (Classic CD)
'Where this work is concerned, as in her playing of much else, she has rightly been called his High Priestess' (Piano)
Recording details: September 1991; Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom; Produced by Arthur Johnson; Engineered by Antony Howell; Release date: February 1991;
'The record that has given me greater pleasure than any other this year' (The Sunday Times)
'A performing document of inestimable importance ... Hyperion should be congratulated for masterminding this important issue' (CDReview)
'The recording is clear and atmospheric, and the playing has power, grandeur, character, intellectual clarity and unforced intensity' (Gramophone)
'This magnificent set courageously undertaken by Hyperion, a timely document of an interpretation fashioned from Nikolayeva's collaboration with the composer at the time of composition' (BBC Music Magazine Top 1000 CDs Guide)
'Performances which are at once gripping through their pianistic brilliancs and illuminating through their unflinching perception. Amazing' (Classic CD)
'Where this work is concerned, as in her playing of much else, she has rightly been called his High Priestess' (Piano)
Recording details: September 1991; Rosslyn Hill Unitarian Chapel, Hampstead, London, United Kingdom; Produced by Arthur Johnson; Engineered by Antony Howell; Release date: February 1991;