Utwory na płycie:

• Francaix: Symphony in G - 1. Allegretto
• Francaix: Symphony in G - 2. Andante
• Francaix: Symphony in G - 3. Menuet et Trio
• Francaix: Symphony in G - 4. Final
• Francaix: Serenade - 1. Vif
• Francaix: Serenade - 2. Andantino con moto
• Francaix: Serenade - 3. Un poco allegretto
• Francaix: Serenade - 4. Vivace
• Francaix: Ouverture anacreontique
• Francaix: Pavane pour un Genie vivant
• Francaix: Scuola di Ballo - 01. Lecon de Felicita
• Francaix: Scuola di Ballo - 02. Entree de Lucrece
• Francaix: Scuola di Ballo - 03. Variation de Rosina
• Francaix: Scuola di Ballo - 04. Entree de Felicita
• Francaix: Scuola di Ballo - 05. Pas de deux de Josephine et du Comte Anselme
• Francaix: Scuola di Ballo - 06. Danse de Felicita et de Fabrino
• Francaix: Scuola di Ballo - 07. L'Actrice
• Francaix: Scuola di Ballo - 08. Pastorale
• Francaix: Scuola di Ballo - 09. Entree du Notaire
• Francaix: Scuola di Ballo - 10. Finale

The gentle urbane art of Jean Francaix, at once freshly engaging and invariably distinguished by an unerring sense of style, has endeared itself to successive generations of musicians and music-lovers. His death in 1997 at the age of 85 removed from contemporary music one of its most immediately appealing and distinctly Gallic masters. This alluring orchestral music undulates between the dreamy and the dramatic, exemplifying Francaix's attractive use of sound colour and harmonies. The Scuola di Ballo, a ballet in one act, is based on music by Boccherini, largely from his quintets. The Pavane pour un Génie vivant was written to mark the fiftieth anniversary of Ravel's death, and the Symphonie was written in Haydn's memory. The Sérénade has neoclassical overtones, and the Ouverture anacréontique attempts to portray an imaginary world, without wars, in which all is well. The content therefore is largely retrospective, but remains charismatically original throughout. Compelling listening, enthusiastically and empathetically played by the Ulster Orchestra, under Thierry Fischer.

'An hour of pure joy' (BBC Music Magazine)

'Again and again while listening to Thierry Fischer's ebullient performances I smile and wish that I had met Jean Françaix' (Gramophone)

'The Ulster Orchestra sound captivated by this music, as well they might … pure pleasure from beginning to end' (International Record Review)

'This collection serves to remind us what 20th-century joys can be found away from the fashionable modernists. The Ulster players may not actually be French, but they fooled me. An utter delight' (The Times)

'The Ulster Orchestra has acquired a deserved reputation for the strength of its sectional work and the quality of its soloists, both aspects of performance that come to the fore in Françaix … Highly recommended' (Fanfare, USA) 'thoroughly entertaining and immensely intelligent' ( The Evening Standard)

'Tres bien composé, ce nouveau disque témoigne parfaitement des influences et des particularismes de l’art clair et spirituel de Françaix' (Répertoire, France)

'Thierry Fischer secures some authentically Gallic character from the Ulster Orchestra … Wonderful' (Yorkshire Post)

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Recording details: September 2001; Ulster Hall, Belfast, United Kingdom; Produced by Chris Hazell; Engineered by Simon Eadon; Release date: April 2002;