
Wydawnictwo: Hyperion
Nr katalogowy: CDA 67714
Nośnik: 1 CD
Data wydania: sierpień 2009
EAN: 34571177144
Nr katalogowy: CDA 67714
Nośnik: 1 CD
Data wydania: sierpień 2009
EAN: 34571177144
Scarlatti: Davidis pugna et victoria
Hyperion - CDA 67714
Kompozytor
Alessandro Scarlatti (1660-1725)
Alessandro Scarlatti (1660-1725)
Wykonawcy
David - Roberta Invernizzi, soprano
Goliath - Antonio Abete, Bass
Jonathan - Robin Johannsen, soprano
Saul - Martin Oro, Countertenor
Narrator - Fredrik Akselberg, tenor
Academia Montis Regalis / Alessandro De Marchi
David - Roberta Invernizzi, soprano
Goliath - Antonio Abete, Bass
Jonathan - Robin Johannsen, soprano
Saul - Martin Oro, Countertenor
Narrator - Fredrik Akselberg, tenor
Academia Montis Regalis / Alessandro De Marchi
Utwory na płycie:
Davidis Pugna & Victoria - Part 1 #01 Sinfonia
Davidis Pugna & Victoria - Part 1 #02 Iochor Sub Aeria
Davidis Pugna & Victoria - Part 1 #03 Fata Regum
Davidis Pugna & Victoria - Part 1 #04 Horruit Audita Saul
Davidis Pugna & Victoria - Part 1 #05 Heu Perii
Davidis Pugna & Victoria - Part 1 #06 Periere Meae Bona Fata Sionis
Davidis Pugna & Victoria - Part 1 #07 Quisquis Alta Per Inane
Davidis Pugna & Victoria - Part 1 #08 Talia Clamanti
Davidis Pugna & Victoria - Part 1 #09 Fugiat Timor
Davidis Pugna & Victoria - Part 1 #10 Iam Veni Tu Spes
Davidis Pugna & Victoria - Part 1 #11 Tuba, Tuba
Davidis Pugna & Victoria - Part 1 #12 Mea Fata, Superbi
Davidis Pugna & Victoria - Part 1 #13 Tuba, Tuba
Davidis Pugna & Victoria - Part 1 #14 Eamus, Fugiamus
Davidis Pugna & Victoria - Part 1 #15 Quo Fugitis Mea Turba?
Davidis Pugna & Victoria - Part 1 #16 Verte Tela
Davidis Pugna & Victoria - Part 1 #17 Quis Duce Trepidante Audet?
Davidis Pugna & Victoria - Part 1 #18 O Jonathae Spes Una David
Davidis Pugna & Victoria - Part 1 #19 Age Tuba Militaris
Davidis Pugna & Victoria - Part 1 #20 Vincemus, Io
Davidis Pugna & Victoria - Part 1 #21 In Flore Labente
Davidis Pugna & Victoria - Part 1 #22 Sic Et Mortis Orrore Labente
Davidis Pugna & Victoria - Part 1 #23 Vincemus, Io
Davidis Pugna & Victoria - Part 2 #01 Sinfonia
Davidis Pugna & Victoria - Part 2 #02 Evaginabo Gladium Meum
Davidis Pugna & Victoria - Part 2 #03 Surgant, Opitulentur Tibi Dii
Davidis Pugna & Victoria - Part 2 #04 Surgam, & Lacerabo Te
Davidis Pugna & Victoria - Part 2 #05 Non Imbelli Duello Puelli
Davidis Pugna & Victoria - Part 2 #06 Saevo Dente Fremente Leonem
Davidis Pugna & Victoria - Part 2 #07 Cives, Io, Date Plausum
Davidis Pugna & Victoria - Part 2 #08 Philistaei, Reboate
Davidis Pugna & Victoria - Part 2 #09 Ad Arma
Davidis Pugna & Victoria - Part 2 #10 Tu Mihi Superum Aeterne Rex
Davidis Pugna & Victoria - Part 2 #11 Dixit, & Excusso Montano
Davidis Pugna & Victoria - Part 2 #12 Heu Sodales
Davidis Pugna & Victoria - Part 2 #13 Age Terra Fortunata
Davidis Pugna & Victoria - Part 2 #14 Victori Redimite Comas
Davidis Pugna & Victoria - Part 2 #15 Deque Lauru
Davidis Pugna & Victoria - Part 2 #16 Scande Regna
Davidis Pugna & Victoria - Part 2 #17 Quae Gigante Pugnante Vidistis
An oratorio for soloists, double chorus, strings and continuo
The banning of opera performances during Lent in seventeenth- and eighteenth-century Rome meant that composers had to turn their attention to biblical subjects. However there is no sense that either composer or librettist felt at all limited in their subject matter, judging from the extraordinarily inventive oratorios that were produced during this time. Scarlatti’s work tells the dramatic story of David and Goliath. Whilst the biblical account relays the story in a few sentences, the anonymous librettist of Davidis pugna et victoria expands upon these to create an extensive libretto, with the characters fully developed and explored. Scarlatti’s musical response to the libretto demonstrates his gift for characterization, which acts as a commentary on the unfolding narrative. Performances of thrilling dynamism and instinctive style from Academia Montis Regalis make the strongest possible case for this work.
'This is Accademia Montis Regalis's third and most convincing Italian Baroque oratorio recording for Hyperion, and a fine addition to the elder Scarlatti's discography' (Gramophone)
'De Marchi knows exactly how to keep things moving, and his performers are first class … Especially memorable is David's prayer 'Tu mihi supernum aeterne rex', which provides Invernizzi with an opportunity to soar celestially above flowing musical lines, in one of Scarlatti's most inspired melodic creations, a shining oasis of calm in the midst of pugnacious full-textured activity' (International Record Review)
Recording details: March 2008; Oratorio Santa Croce, Mondovi, Italy; Produced by Mark Brown; Engineered by David Hinitt; Release date: October 2009;
'This is Accademia Montis Regalis's third and most convincing Italian Baroque oratorio recording for Hyperion, and a fine addition to the elder Scarlatti's discography' (Gramophone)
'De Marchi knows exactly how to keep things moving, and his performers are first class … Especially memorable is David's prayer 'Tu mihi supernum aeterne rex', which provides Invernizzi with an opportunity to soar celestially above flowing musical lines, in one of Scarlatti's most inspired melodic creations, a shining oasis of calm in the midst of pugnacious full-textured activity' (International Record Review)
Recording details: March 2008; Oratorio Santa Croce, Mondovi, Italy; Produced by Mark Brown; Engineered by David Hinitt; Release date: October 2009;