
Wydawnictwo: Hyperion
Seria: Romantic Violin Concertos
Nr katalogowy: CDA 67878
Nośnik: 1 CD
Data wydania: marzec 2012
EAN: 34571178783
Seria: Romantic Violin Concertos
Nr katalogowy: CDA 67878
Nośnik: 1 CD
Data wydania: marzec 2012
EAN: 34571178783
Vieuxtemps: Romantic Violin Concerto Volume 12 - Vieuxtemps
Hyperion - CDA 67878
Kompozytor
Henry Vieuxtemps (1820-1881)
Henry Vieuxtemps (1820-1881)
Utwory na płycie:
Vieuxtemps: Violin Concerto #1 In E, Op. 10 - 1. Allegro Moderato
Vieuxtemps: Violin Concerto #1 In E, Op. 10 - 2. Introduction: Adagio
Vieuxtemps: Violin Concerto #1 In E, Op. 10 - 3. Rondo: Allegretto
Vieuxtemps: Violin Concerto #2 In F Sharp Minor, Op. 19 - 1. Allegro
Vieuxtemps: Violin Concerto #2 In F Sharp Minor, Op. 19 - 2. Andante
Vieuxtemps: Violin Concerto #2 In F Sharp Minor, Op. 19 - 3. Rondo: Allegro
Vieuxtemps: Greeting To America, Op. 56
Violin Concerto No 1 in E major Op 10
Violin Concerto No 2 in F sharp minor Op 19
Greeting to America Op 56
Violin Concerto No 2 in F sharp minor Op 19
Greeting to America Op 56
Hyperion’s record of the month for May heralds a new collaboration with the brilliant young British violinist Chloë Hanslip, the former child prodigy famously signed toWarner Classics at the age of just fourteen. Here, she lends her now-mature talents to the second release in Hyperion’s overview of Vieuxtemps’ Violin Concertos and Volume 12 of the burgeoning Romantic Violin Concerto series.
Henry Vieuxtemps (1820–1881) was a French violin virtuoso who, after the death of Paganini, was widely considered to be the best violinist in Europe. Besides being a brilliant player, he was a remarkably fine composer, as demonstrated in these, his first two concertos. Alongside the memorable violin fireworks, Vieuxtemps here shows a well-argued musical sensibility that straddles both the Classical and Romantic eras as well as the ability to write gorgeous, almost operatic slow movements in the best bel canto tradition
Henry Vieuxtemps (1820–1881) was a French violin virtuoso who, after the death of Paganini, was widely considered to be the best violinist in Europe. Besides being a brilliant player, he was a remarkably fine composer, as demonstrated in these, his first two concertos. Alongside the memorable violin fireworks, Vieuxtemps here shows a well-argued musical sensibility that straddles both the Classical and Romantic eras as well as the ability to write gorgeous, almost operatic slow movements in the best bel canto tradition