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Wydawnictwo: Hyperion
Nr katalogowy: CDA 67917
Nośnik: 1 CD
Data wydania: wrzesień 2013
EAN: 34571179179
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Epoka muzyczna: romantyzm
Obszar (język): czeski
Instrumenty: wiolonczela
Rodzaj: koncert

Dvorak: Cello Concertos

Hyperion - CDA 67917
Steven Isserlis, cello
Mahler Chamber Orchestra / Daniel Harding
Nagrody i rekomendacje
ICMA Award Nomination Diapason 5 BBC Music Choice Sinfini Music 5 Stars Limelight Music Island Recommends
Cello Concerto in B minor Op 104
Lasst mich allein Op 82 No 1 arranged for orchestra by B Leopold
Cello Concerto in B minor (original ending) Op 104
Cello Concerto in A major B10 revised and orchestrated by Günter Raphael
Hyperion is delighted to present the world’s best-loved cello concerto performed by one of the world’s best-loved cellists: national treasure Steven Isserlis. Isserlis has waited 40 years to record this pinnacle of the repertoire, and here with his regular collaborators, the Mahler Chamber Orchestra and Daniel Harding, this long gestation has proved to be overwhelmingly fruitful.Isserlis writes of the concerto that ‘the power of its emotional journey, expressed with Dvor v ák’s characteristically folk-like simplicity and directness, offers an irresistible mix of the epic and the touchingly confessional’. The combination of emotional power and simplicity is also a feature ofIsserlis’s playing, and part of what makes him such a consummate performer of this work.

This album puts Dvor v ák’s B minor cello concerto in context, including not only the original ending, but an orchestral version of the song Lasst mich allein which is quoted in the concerto’s second and third movements.

Isserlis has also recorded a version of Dvor v ák’s ?rst cello concerto, a little-known work from the composer’s early period which he never orchestrated. This version (in what is almost de?nitely its premiere recording) is by German composer GünterRaphael, whose works were performed by Furtwängler among others, and is extensively rewritten from the composer’s original. To turn to Isserlis’s own words again: ‘Of course, it is not a masterpiece on the level of the later B minor concerto; but is it fairto lock up an older child just because their younger sibling is a genius? Ilove theAmajor concerto forthe beauty of its melodies, forthe freshness of its inspiration, forits typically rustic spirit and forthe sense of sheerjoy that bubbles through the entire work.’

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