Wydawnictwo: Hyperion
Seria: Romantic Piano Concertos
Nr katalogowy: CDA 67950
Nośnik: 1 CD
Data wydania: sierpień 2013
EAN: 34571179506
Seria: Romantic Piano Concertos
Nr katalogowy: CDA 67950
Nośnik: 1 CD
Data wydania: sierpień 2013
EAN: 34571179506
Dohler / Dreyschock: The Romantic Piano Concertos vol 61 - Döhler, Dreyschock
Hyperion - CDA 67950
Utwory na płycie:
- Döhler: Piano Concerto In A, Op. 7 - 1. Maestoso
- Döhler: Piano Concerto In A, Op. 7 - 2. Adagio
- Döhler: Piano Concerto In A, Op. 7 - 3. Allegretto
- Dreyschock: Morceau De Concert In C Minor, Op. 27
- Dreyschock: Salut À Vienne, Op. 32, 'Rondo Brillante' - 1. Introduzione: Tempo Di Marcia
- Dreyschock: Salut À Vienne, Op. 32, 'Rondo Brillante' - 2. Rondo: Allegro Con Moto
Döhler:
Piano Concerto in A major Op 7
Dreyschock:
Morceau de concert in C minor Op 27
Salut a Vienne ‘Rondo brillant’ Op 32
Piano Concerto in A major Op 7
Dreyschock:
Morceau de concert in C minor Op 27
Salut a Vienne ‘Rondo brillant’ Op 32
TheRomantic Piano Concerto series reaches Volume 61, and continues to probe into the obscurest depths of the nineteenth-century piano world. Döhler’s Piano Concerto inAmajor and Dreyschock’s Salut a Vienne are both ?rst recordings. The two composer-pianists were contemporaries, both child prodigies and both hugely admired in their day. Today their names are not even faintly familiarto concert-goers.
Döhler’s Concerto is pure entertainment: a lavishly ornamented virtuoso confection thatrequires a high-wire act from the soloist from start to ?nish. Dreyschock’s Morceau de concert, Op 27, is dedicated to the Philharmonic Society of London.It opens with a Beethovenian declamation and indeed throughout the piece there are allusions to several Beethoven works, notably the ‘Appassionata’ Sonata. Salut a Vienneis a lighthearted but highly effective showpiece.
These all-but-forgotten works live again through the stylish artistry and technical brilliance of Howard Shelley, who is both soloist and conductor of his long-term collaborators, the Tasmanian Symphony Orchestra.
Döhler’s Concerto is pure entertainment: a lavishly ornamented virtuoso confection thatrequires a high-wire act from the soloist from start to ?nish. Dreyschock’s Morceau de concert, Op 27, is dedicated to the Philharmonic Society of London.It opens with a Beethovenian declamation and indeed throughout the piece there are allusions to several Beethoven works, notably the ‘Appassionata’ Sonata. Salut a Vienneis a lighthearted but highly effective showpiece.
These all-but-forgotten works live again through the stylish artistry and technical brilliance of Howard Shelley, who is both soloist and conductor of his long-term collaborators, the Tasmanian Symphony Orchestra.