
Wydawnictwo: Hyperion
Nr katalogowy: CDA 67981/2
Nośnik: 2 CD
Data wydania: listopad 2013
EAN: 34571179810
Nr katalogowy: CDA 67981/2
Nośnik: 2 CD
Data wydania: listopad 2013
EAN: 34571179810
Nasze kategorie wyszukiwania
Epoka muzyczna: klasycyzm
Obszar (język): niemiecki
Instrumenty: wiolonczela, pianoforte
Rodzaj: sonata
Epoka muzyczna: klasycyzm
Obszar (język): niemiecki
Instrumenty: wiolonczela, pianoforte
Rodzaj: sonata
Beethoven: Cello Sonatas
Hyperion - CDA 67981/2
Kompozytor
Ludwig van Beethoven (1770-1827)
Ludwig van Beethoven (1770-1827)
Utwory na płycie:
Beethoven: Cello Sonata In F, Op. 5/1 - 1. Adagio Sostenuto
Beethoven: Cello Sonata In F, Op. 5/1 - 2. Allegro
Beethoven: Cello Sonata In F, Op. 5/1 - 3. Allegro Vivace
Beethoven: Cello Sonata In G Minor, Op. 5/2 - 1. Adagio Sostenuto & Espressivo
Beethoven: Cello Sonata In G Minor, Op. 5/2 - 2. Allegro Molto Più Tosto Presto
Beethoven: Cello Sonata In G Minor, Op. 5/2 - 3. Rondo: Allegro
Beethoven: Cello Sonata In A, Op. 69 - 1. Allegro, Ma Non Tanto
Beethoven: Cello Sonata In A, Op. 69 - 2. Scherzo: Allegro Molto
Beethoven: Cello Sonata In A, Op. 69 - 3. Adagio Cantabile
Beethoven: Cello Sonata In A, Op. 69 - 4. Allegro Vivace
Beethoven: Cello Sonata In C, Op. 102/1 - 1. Andante
Beethoven: Cello Sonata In C, Op. 102/1 - 2. Allegro Vivace
Beethoven: Cello Sonata In C, Op. 102/1 - 3. Adagio: Tempo D'Andante
Beethoven: Cello Sonata In C, Op. 102/1 - 4. Allegro Vivace
Beethoven: Cello Sonata In D, Op. 102/2 - 1. Allegro Con Brio
Beethoven: Cello Sonata In D, Op. 102/2 - 2. Adagio Con Molto Sentimento D'Affetto
Beethoven: Cello Sonata In D, Op. 102/2 - 3. Allegro: Allegro Fugato
Beethoven: Variations In G On See The Conqu'ring Hero Comes, WoO 45
Beethoven: Variations In F On Ein Mädchen Oder Weibchen, Op. 66
Beethoven: Variations In E Flat On Bei Männern, Welche Liebe Fühlen, WoO 46
Beethoven: Horn Sonata In F, Op. 17 - 1. Allegro Moderato
Beethoven: Horn Sonata In F, Op. 17 - 2. Poco Adagio, Quasi Andante
Beethoven: Horn Sonata In F, Op. 17 - 3. Rondo: Allegro Moderato
Cello Sonata in F major Op 5 No 1
Cello Sonata in G minor Op 5 No 2
Cello Sonata in A major Op 69
Cello Sonata in C major Op 102 No 1
Cello Sonata in D major Op 102 No 2
Variations in G major on ‘See the conqu’ring hero comes’ from Handel’s Judas Maccabaeus WoO45
Variations in F major on ‘Ein Mädchen oder Weibchen’ from Mozart’s Die Zauber?öte Op 66
Variations in E ?at major on ‘Bei Männern, welche Liebe fühlen’ from Mozart’s Die Zauber?öte WoO46
Horn Sonata in F major Op 17
Cello Sonata in G minor Op 5 No 2
Cello Sonata in A major Op 69
Cello Sonata in C major Op 102 No 1
Cello Sonata in D major Op 102 No 2
Variations in G major on ‘See the conqu’ring hero comes’ from Handel’s Judas Maccabaeus WoO45
Variations in F major on ‘Ein Mädchen oder Weibchen’ from Mozart’s Die Zauber?öte Op 66
Variations in E ?at major on ‘Bei Männern, welche Liebe fühlen’ from Mozart’s Die Zauber?öte WoO46
Horn Sonata in F major Op 17
‘Isserlis’s playing always has spirit to spare. But the fortepiano ensures an even fresher sense of discovery to his cello odyssey’ (The Guardian)
In this new chamber recording, Steven Isserlis together with his regular collaborator, fortepianist Robert Levin, presents a magisterial and long-awaited compendium of Beethoven’s complete works for cello and piano, including Beethoven’s arrangement of his Op 17 Horn Sonata. The use of the fortepiano opens up a wealth of sonic possibilities for these works.
The ?ve Cello Sonatas span Beethoven’s compositional epochs and comprise the most important cycle of cello sonatas in the entire repertoire. Isserlis writes that the composer ‘transforms himself from con?dent virtuoso to supreme master of classical form, and then beyond that to a mystic exploring strange new worlds of unearthly beauty a wondrous trans?guration’.
In this new chamber recording, Steven Isserlis together with his regular collaborator, fortepianist Robert Levin, presents a magisterial and long-awaited compendium of Beethoven’s complete works for cello and piano, including Beethoven’s arrangement of his Op 17 Horn Sonata. The use of the fortepiano opens up a wealth of sonic possibilities for these works.
The ?ve Cello Sonatas span Beethoven’s compositional epochs and comprise the most important cycle of cello sonatas in the entire repertoire. Isserlis writes that the composer ‘transforms himself from con?dent virtuoso to supreme master of classical form, and then beyond that to a mystic exploring strange new worlds of unearthly beauty a wondrous trans?guration’.