Telemann: Concerti-en-suite
Chandos - CHAN 0821
Kompozytor
Georg Philip Telemann (1681-1767)
Georg Philip Telemann (1681-1767)
Wykonawcy
Tempesta di Mare
Philadelphia Baroque Orchestra & Chamber Players / Gwyn Roberts, Richard Stone
Tempesta di Mare
Philadelphia Baroque Orchestra & Chamber Players / Gwyn Roberts, Richard Stone
Nagrody i rekomendacje
Utwory na płycie:
Concerto-Suite in F major, TWV 54:F1
Concerto di camera in G minor, TWV 43:g3
Concerto-Suite in F major, TWV 51:F4
Concerto di camera in G minor, TWV 43:g3
Concerto-Suite in F major, TWV 51:F4
Expert in baroque repertoire and making period discoveries, the Philadelphia-based ensemble Tempesta di Mare extends the commemoration of the 250th anniversary of Telemann’s death with this unique album played on historically authentic instruments.
This recording is the first to bring together Telemann’s three surviving concerti-en-suite, from the intimate Concerto di camera to the more extravagant and impressive Concerto-Suites.
Like many seventeenth-century German composers referring to their national idiom as a blend of French, Italian, and German styles, Telemann, who added rustic Polish music to this stylistic soup, quickly became the standard-bearer for this ‘mixed taste’ during the early eighteenth century, writing Italian concertos with a French accent, French overtures featuring moonlighting concerto soloists, and Polish folk tunes that exuberantly dance their way into arias, concertos, sonatas, songs, and suites. One of his more interesting mixtures is the concerto-suite, a subgenre in which a soloist is featured in an opening concerto-allegro and in a following series of French dance movements. The three surviving ones are brought together here for the first time.
Recorded at Independence Seaport Museum, Philadelphia, Pennsylvania, USA; 16 – 18 October 2017
This recording is the first to bring together Telemann’s three surviving concerti-en-suite, from the intimate Concerto di camera to the more extravagant and impressive Concerto-Suites.
Like many seventeenth-century German composers referring to their national idiom as a blend of French, Italian, and German styles, Telemann, who added rustic Polish music to this stylistic soup, quickly became the standard-bearer for this ‘mixed taste’ during the early eighteenth century, writing Italian concertos with a French accent, French overtures featuring moonlighting concerto soloists, and Polish folk tunes that exuberantly dance their way into arias, concertos, sonatas, songs, and suites. One of his more interesting mixtures is the concerto-suite, a subgenre in which a soloist is featured in an opening concerto-allegro and in a following series of French dance movements. The three surviving ones are brought together here for the first time.
Recorded at Independence Seaport Museum, Philadelphia, Pennsylvania, USA; 16 – 18 October 2017
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