Dove: Tobias and the Angel
Chandos - CHAN 10606
Kompozytor
Jonathan Dove (ur. 1959)
Jonathan Dove (ur. 1959)
Wykonawcy
Omar Ebrahim, baritone
Hyacinth Nicholls, mezzo-soprano
Darren Abrahams, tenor
James Laing, counter-tenor
Kevin West, tenor
Maureen Brathwaite, soprano
Karina Lucas, mezzo-soprano
Rodney Clarke, baritone
The Young Vic, David Charles Abell
Omar Ebrahim, baritone
Hyacinth Nicholls, mezzo-soprano
Darren Abrahams, tenor
James Laing, counter-tenor
Kevin West, tenor
Maureen Brathwaite, soprano
Karina Lucas, mezzo-soprano
Rodney Clarke, baritone
The Young Vic, David Charles Abell
Utwory na płycie:
Born on 18 July 1959, Jonathan Dove is one of Britain’s leading composers of opera, choral works,
theatre, film, orchestral, and chamber music. His community opera Tobias and the Angel premiered in
1999 at Christ Church, Highbury Fields in London, was taken up in 2005 by the Young Vic / English
Touring Opera during the refurbishment of the Theatre’s regular venue, and was the first opera performed
at the newly revamped Young Vic in 2006. The libretto, by David Lan, is based on the Book of Tobit
from the biblical Apocrypha. Dove has written more than twenty operatic works on a wide range of
subjects and is the most performed contemporary opera composer in the UK.
The colourfully biblical story of Tobit, who is blinded after daring to give a fellow Jew a proper burial,
and the ensuing adventures of his son, Tobias, is vividly portrayed. The story particularly appealed to the
composer, who said: ‘The tale has a mystical aspect, but also the character of a Jewish folk-tale,
especially the scene in which Tobias is threatened by a huge fish, kills it, and is instructed to take out its
heart and gall – which turn out to have magical healing properties.’
Although the racial oppression and demonic possession which are part of this work are fully developed, it
is undoubtedly one of Dove’s brightest, even serene, scores, possessing immense appeal and
communicative power. The nine instruments of the orchestra provide plenty of colour, for example
effectively evoking the Jewish elements of a klezmer band, and David Lan’s libretto does a masterly job
in telling the story in an almost cinematic way. This is the work’s premiere recording.
theatre, film, orchestral, and chamber music. His community opera Tobias and the Angel premiered in
1999 at Christ Church, Highbury Fields in London, was taken up in 2005 by the Young Vic / English
Touring Opera during the refurbishment of the Theatre’s regular venue, and was the first opera performed
at the newly revamped Young Vic in 2006. The libretto, by David Lan, is based on the Book of Tobit
from the biblical Apocrypha. Dove has written more than twenty operatic works on a wide range of
subjects and is the most performed contemporary opera composer in the UK.
The colourfully biblical story of Tobit, who is blinded after daring to give a fellow Jew a proper burial,
and the ensuing adventures of his son, Tobias, is vividly portrayed. The story particularly appealed to the
composer, who said: ‘The tale has a mystical aspect, but also the character of a Jewish folk-tale,
especially the scene in which Tobias is threatened by a huge fish, kills it, and is instructed to take out its
heart and gall – which turn out to have magical healing properties.’
Although the racial oppression and demonic possession which are part of this work are fully developed, it
is undoubtedly one of Dove’s brightest, even serene, scores, possessing immense appeal and
communicative power. The nine instruments of the orchestra provide plenty of colour, for example
effectively evoking the Jewish elements of a klezmer band, and David Lan’s libretto does a masterly job
in telling the story in an almost cinematic way. This is the work’s premiere recording.







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